Peter Jackson’s Helm’s Deep

Note: foldedspace.org died recently, and is gradually being reconstructed. This entry has moved. The 72 comments from before the move can be found here.

I saw Peter Jackson’s Helms Deep twice on Wednesday. Though I liked the film better the second time, I was still disappointed. Much of that disappointment is a result of baggage that I bring as an audience-member and not a result of Jackson’s filmmaking; nearly every other review I’ve read or heard has been glowing.

I was going to write a proper paragraph-based review with nice transitions, etc. etc. etc. but I’m not up to the effort. Instead I’m going to provide a review which uses lots of bullet points. Warning: spoilers ahead!

Please keep in mind that I do not hate Peter Jackson’s Helms Deep; I’m just disappointed by it. I was also disappointed by The Fellowship of the Ring last year, though I’ve warmed to it after multiple viewings. Most of my review focuses on the negative aspects of Helms Deep, but that’s only because all of the other reviews are glowing and you can read them to find out about all that is good about the film.


Here are some disappointing features shared by The Fellowship of the Ring and Peter Jackson’s Helms Deep:

Intrusive music
Howard Shore‘s score isn’t bad, but it’s omnipresent, and sometimes overwhelms the action on the screen. Maybe this is a problem with me as an audience member. Perhaps others like it. I don’t.
Moving camera
I was sick last year when I saw The Fellowship of the Ring. The always-moving camera made me feel even more nauseated. Peter Jackson (and his unit directors) don’t seem to have enough confidence in their framing to allow a simple static shot. The camera pans and sweeps and soars and zooms and never stays in one place for long. It’s dizzying.
Elves
Yes, elves are wispy and mystic. But these films play them in such a languorous fashion that they nearly put me to sleep whenever they appear. The elves speak s-l-o-w-l-y. They move s-l-o-w-l-y. It gives the intended other-worldly effect, but it also slows the pacing. Rivendell and Lothlorien are the two slow points in Fellowship. The Arwen/Elronod/Galadriel section slows Helms Deep. I’m not suggesting that these scenes should not be in the films, just that they should have been done differently.
Glossing
Because The Lord of the Rings is a huge story, it’s impossible for Peter Jackson to put everything on the screen. It’s inevitable that some things have to be cut. Tom Bombadil? Yes, I love him, too, but he’s not essential to the story. However, I don’t understand why essential bits were cut (or glossed over): Galadriel’s gifts in Fellowship (which, fortunately, are restored in the extended DVD), Merry and Pippin’s experiences with the orcs, the Ents, etc. Merry and Pippin are give rather short shrift in Helms Deep, which is unfortunate.
Battles
My least favorite parts of these films are the battle sequences. The book has battle sequences, and they are integral to the story. I am not opposed to battle sequences, even long ones, if they are done well. The battle scenes in these films are not done well. They’re long and nonsensical. Jackson spends a lot of time establishing that the orcs, especially the Uruk-Hai, are threatening, yet when they enter combat, they’re surprisingly ineffective. They’re like Star Wars stormtroopers with swords instead of blasters. In Ewoks Attack, pint-sized teddy bears are able to take out trained battle troops with rocks. In both Fellowship of the Ring and Helms Deep, Merry and Pippin take about trained battle troops with rocks. We’re supposed to find these villains threatening?

Here are my specific comments regarding Peter Jackson’s Helms Deep:

Negatives

  • Despite the movie’s three hour length, things felt rushed. Important plot points are glossed over in favor of the epic final battle scene.
  • Some plot points, especially those related to the battle sequences, are ludicrous. From the sheer stupid:
    • Where do Merry and Pippin get the stones that they throw while perched upon Treebeard’s shoulders?
    • Why are they throwing stones again? They did it at the end of Fellowship; it was stupid then, it’s stupid now: these hobbits are hefting and throwing stones so large, and throwing them with such accuracy, that they kill orcs? Give me a break.

    to just silly on an abstract level:

    • If Saruman is such a mastermind, if he’s going to the trouble to mass ten thousands of orcs, then:
      • Why doesn’t he give them a little training so that they don’t fall like matchstick men at the first hint of combat. These Uruk-Hai are supposed to be tough and scary, yet they’re so delicate that two hobbits can hold off dozens of them. That’s not very scary. They’re no better than rats.
      • Why doesn’t he provide them with combined arms? The only weapons the Uruk-Hai seem to have are spears and those funny pseudo-carpenters squares. That’s fine for close combat, but it kind of sucks when your opponents have longbows, you know? At Helms Deep, there are two Uruk-Hai with crossbows, but they’re seen only briefly for dramatic effect. They certainly aren’t around when they’d actually be useful (as when Gimli and Aragorn are scaling the wall of the keep).
  • Wormtongue moans, “Where will we find an army large enough to storm Helms Deep” and Saruman takes him to the window to see tens of thousands of Uruk-Hai massed outside Isengard. Give me a break. What? Wormtongue doesn’t know anything of Saruman’s master plan? And somehow thousands of orcs managed to gather outside in hushed whispers and tiptoes? This is an example of the filmmakers choosing the nonsensical simply for dramatic effect.
  • Another example of the nonsensical in the service of the dramatic: as the Uruk-Hai march to Helms Deep they make an impressive thump-thump-thump marching-in-unison kind of sound. That’s great, except they are obviously not marching in unison. What we should hear is a chaotic shuffling of feet, but that just wouldn’t be as fun now, would it?
  • Gollum has no dangly bits where his dangly bits should be.
  • Theoden should speak in iambic pentameter.
  • People have complained that Gimli is relegated to comic relief. He certainly serves that purpose in Peter Jackson’s Helms Deep, but I don’t mind. I’m more miffed that Legolas doesn’t play a larger role. Legolas rocks. Also, Merry and Pippin’s story has been truncated. (Though I suspect we’ll see more of them in an extended DVD.)
  • Our heroes are girding themselves for battle. Gimli is in the middle of trying on a chainmail dress when elven archers march through the gates. Everyone rushes to greet them. When Gimli lumbers down the stairs, he is now clothed for combat. What? What happened to the chainmail dress he was just wearing?
  • Gandalf and the Rohirrim charge down an impossibly steep slope. Any horse galloping down this embankment would, in reality, lose its footing on the first stride and tumble headlong into the waiting army of orcs. The scene looks silly.
  • Theoden and Aragorn’s final charge knocks over orcs on the bridge as if they were bowling pins. These orcs look completely computer animated in the way they march exactly alike, the way none of them stand aside to let the riders pass, the way they’re simply there to be pushed off the bridge. It’s silly.
  • Did I mention I don’t like it when Merry and Pippin throw stones?
  • I don’t mind Peter Jackson making changes to the story to improve how it plays on the screen, but some of the changes seem to serve no purpose. Why have Faramir take Frodo to Gondor? What purpose does it serve? None that I can see. Worse is Aragorn’s faux death? Is this simply so he can enter a fugue state in which he dreams of Arwen? This side-plot seems contrived and unnecessary. (Indeed, it literally is contrived and unnecessary.)
  • Not to beat a dead horse but: the battle films are overlong and poorly staged. (And this is the primary reason that the other bits need to be glossed over). Yes, I know I’m a minority voice here. Most people love the battle scenes, especially Helms Deep. I’m not one of them. The final battle in Fellowship (the movie) is drawn from two pages in the book, yet lasts twenty minutes on screen. The film version features Merry and Pippin finding stones on the floor of a forest (problem one) that they heave (problem two), toppling orcs (problem three, especially since the orcs are, seemingly, killed by the throws). This is typical of all the battle scenes in both films so far. On Weathertop, Aragorn throws a torch at one of the Nazgul and it goes up in flames. What? did he bathe in kerosene? The battle of Helms Deep is rife with these kind of errors. I can’t help thinking that if Saruman had thought to construct more than two ranged weapons. Really, the battles are my biggest beef with the films. The other gripes I can forgive. It’s not even a problem with the script. I don’t mind battle scenes, and they could still follow the same script but just have the action on screen be more consistent, less preposterous, better edited.

Positives:

  • It was clever to merge Gandalf’s voice with Saruman’s when Gandalf the White first appears. I like that.
  • The acting is uniformly excellent, especially that from the supporting players. Grima, Theoden and Eowyn are fantastic, almost Shakespearean. This is the element of the books and the films that I love: the literate epic drama, not the fantastic battle scenes. Pare down the battle scenes and give me more intrigue with Theoden and Grima and Saruman! Give me more acting, less fighting. This would make a better film. (For me.)
  • Generally, I’m not a fan of horses; they’re big clumsy beasts that step on young boys and scar them for life (literally and figuratively). However, I think horsemanship is a skill that transfers well to film and I want more. The little that is on screen is great, but give me more more more!
  • Wormtongue rocks. Well done!
  • Arwen has fantastic lips. Very kissable. They’re the best part of the film, really.
  • Gollum has no dangly bits where his dangly bits should be.
  • Jeremy says: “Those rocks actually fall like rocks instead of Styrofoam blocks.” (This is true of the bigger pieces, but the smaller “stones” in close-ups still fall like Styrofoam blocks.)
  • Treebeard: “That doesn’t make any sense to me. But, then, you are very small.”
  • Gollum’s internal conflict plays well on the screen. It’s written and performed well.
  • The song that plays over the end credits is by one of my favorite obscure artists, Emiliana Torrini. It’s great!

I like nearly every portion of Peter Jackson’s Helms Deep in isolation. If you were to show me any one scene, I’d like it. However, when the scenes are strung together into a film, something seems to be missing. The whole is less than the sum of its parts.

Remember: I do not hate this film. It’s above average in fact, meriting a 6.0 on J.D.’s Patented Move Rating Scale. I had hoped for more.


One of my favorite bits from Tolkien:

Frodo
If you ask it of me, I will give you the One Ring.

Galadriel
You offer it to me freely? I do not deny that my heart has greatly desired this.

In place of a Dark Lord you would have a queen! Not dark but beautiful and terrible as the dawn! Treacherous as the sea! Stronger than the foundations of the earth! All shall love me and despair!

I pass the test. I will diminish and go into the west and remain Galadriel.

Comments

On 20 December 2002 (10:47 AM),
Dana said:

You and I frequently like or dislike the same things, but for vastly different reasons. In a surprising turn of events, I pretty much agree with your reasoning completely.

The presence or absence of Gollum’s dangly bits aside, he’s an amazing piece of work, and everybody involved with him deserves recognition. He’s pretty amazing.

I know that there is destined to be no Scouring of the Shire, too, in the third film, and I think this will rob the conclusion of a needed closure.

The Saruman/Gandalf blend was indeed quite neat, but I thought it would have worked much better if the previews hadn’t given away that Gandalf returns…

“Your talk of snuffling riders with invisible noses has unsettled me.” — Pippin, FotR

On 20 December 2002 (03:25 PM),
Dave said:

I have to take issue with some of what you bring up. Specifically:

* Where do Merry and Pippin get the stones that they throw while perched upon Treebeard’s shoulders?
-I believe that we clearly see Treebeard handing them rocks.

* these hobbits are hefting and throwing stones so large, and throwing them with such accuracy, that they kill orcs? Give me a break.
– My recollection is that the hobbits threw the rocks, knocked the orcs on the head and then Treebeard stepped on them, but I admit that this was a fairly small part. I did think that the rocks were fairly good sized for hobbit-sized folk, however. And by the way, have you ever been whacked in the head by a flying rock? Ask the Israeli’s why they wear helmets when dealing with rock throwing Palestinians. In addition, aren’t hobbits supposed to be really good with rock throwing?

* Why doesn’t he give them a little training so that they don’t fall like matchstick men at the first hint of combat. These Uruk-Hai are supposed to be tough and scary, yet they’re so delicate that two hobbits can hold off dozens of them. That’s not very scary. They’re no better than rats.
– Talk to Tolkien about this. In the book the hobbits do exactly as they did in the movie except that I don’t recall the chase into Fangorn Forest. Of course, in the movie the hobbits only survive because Treebeard squashes the orc first rather than the hobbits.

*The only weapons the Uruk-Hai seem to have are spears and those funny pseudo-carpenters squares. That’s fine for close combat, but it kind of sucks when your opponents have longbows, you know?
– Of course, it could be that none of our fair heros happen to be standing in places where orcs with crossbows are at and we therefore don’t see them. In other words, simply because we don’t see them doesn’t mean that they’re not there.

*What? Wormtongue doesn’t know anything of Saruman’s master plan? And somehow thousands of orcs managed to gather outside in hushed whispers and tiptoes?
-Why would he know of how many orcs Saruman has? He’s a soothsaying spy that just got tossed out on his ear, presumably rode hard to get to Isengard and probably has no idea how much strength Saruman has amassed.

* Gollum has no dangly bits where his dangly bits should be.
– His loincloth went underneath the whole way. I checked it out because the dangly bits thing bothered me, too. Hmmm, should I really be admitting that I was checking out Gollum?

* Gandalf and the Rohirrim charge down an impossibly steep slope. Any horse galloping down this embankment would, in reality, lose its footing on the first stride and tumble headlong into the waiting army of orcs. The scene looks silly.
-Oh yeah, you’re right on there. Of course, cavalry charging pikes usually doesn’t work out well for the first line of horses, either…

*Why have Faramir take Frodo to Gondor? What purpose does it serve? None that I can see.
– In The Return of the King, Faramir goes back to Minas Tirith and then goes out to fight the battle at Osgiliath. I think that Jackson compressed this into 2T’s in order to allow for more room in TROTK but still set the strategic stage for Minas Tirith being in jeopardy, allow for the siege of Minas Tirith, allow the hobbits to hook up with the Rohirrim, etc.

* Worse is Aragorn’s faux death? Is this simply so he can enter a fugue state in which he dreams of Arwen? This side-plot seems contrived and unnecessary. (Indeed, it literally is contrived and unnecessary.)
-Right again.

* Theoden and Aragorn’s final charge knocks over orcs on the bridge as if they were bowling pins. These orcs look completely computer animated in the way they march exactly alike, the way none of them stand aside to let the riders pass, the way they’re simply there to be pushed off the bridge. It’s silly.
-Right again. If it was that easy, why didn’t they do this at the outset?

I also agree with Dana’s assessment of the Scouring of the Shire. When I read the trilogy again this summer, I found that the Scouring was the portion that I liked the best, perhaps because of the obvious political undertones that it had. I remember thinking while sitting in the movie, “Damn, they’re going to skip the Scouring of the Shire, aren’t they?”

On 23 December 2002 (04:53 PM),
Tracie said:

Re: Faramir. I noticed but didn’t mind most of what was mentioned above. I agree with it, but it didn’t bother me too much (just a bit). But where I really was bothered wasn’t so much in Faramir taking the hobbits to Osgiliath, as Faramir initially “failing” the test of the ring–which he passed with flying colors in the book. Jackson gives the impression that Faramir is nearly JUST LIKE Boromir–he has to be bonked on the head by seeing the peril of the ring before he can understand it. BIG disservice to the character Tolkein created. When he says in the film that this is a test of his quality, he then decides to bring the ring to Gondor! FAILED! In the book, he gives Frodo and his companions safe passage through the land! As far as needing to get them to Gondor to meet up with the Rohirrim…Am I missing something? Why do they need to meet the Rohirrim? Frodo and Sam HAVE to move on to Mordor after this, and Merry and Pippin will meet Theoden in Isengard–as written by Tolkein, I would assume? Meanwhile, if Faramir does his thing at Osgiliath, then we won’t ever see the strain between him and his father–because that is what PROMPTS his riding out to Osgiliath–from which he comes back unconscious and seemingly dying. So, the character set-up and drama between Gandalf, Faramir, and Denethor won’t occur. PLUS, why would Denethor favor Boromir over Faramir now anyway? Since Jackson’s Faramir is just a Boromir clone…? I like your site! Thanks!

On 27 December 2002 (11:05 AM),
ME said:

I’ll tell you what bothers me about this review: the movie is called THE TWO TOWERS and not PETER JACKSON’S HELMS DEEP!!! You sound like a mouron everytime you say it, DJEEZES!!!

On 30 December 2002 (08:47 PM),
Rory said:

Does it really matter what he calls it?

I agree with about 80% of your points. Details such as the omnipresent music don’t bother me much, but I think it depends on the viewer. I will admit that I too was swayed by the Helms Deep battle scene, but even the badass-ness of it all doesn’t cover up the sheer unrealistic qualities. I understand that this is a fantasy, but you can’t take it to the point of imminent disbelief.

On 30 December 2002 (10:47 PM),
Gordon said:

Ok. I have seen the movie twice. I don’t mind the changes that Peter Jackson made to it. Except for Helms Deep. There were no elves at Helms Deep. They are too busy getting ready for Dol Guldur which is clearly stated in the book.

So Peter Jackson can’t afford the special effects of having the Huron’s do away with the Orcs (which is why Gandalf really went away from Rohan). He wants to have shiny silver men gallop to the rescue. I can live with that. I just don’t think the elves would even show up at Helms Deep even if they could. All they are doing is covering their asses as they head West. Why do directors insist on putting their mark on movies? He was doing such a good job of more or less accurately portraying the story.

On 30 January 2003 (11:49 AM),
Turbonut2003 said:

I don`t understand why Saruman,with tens of thousands of orcs at his disposal doesn`t keep any in reserve as home guard for Isengard.The film only shows about 50 at most.
Also,the second film is called “The two towers”,this is presumably a reference to Saruman`s dark tower and the white tower of helm`s deep?
But they don`t actually feature very strongly.
I can`t recall seeing either tower in it`s entirity……….
……….Perhaps it`s just me,I don`t know.

On 04 February 2003 (09:24 PM),
Bob said:

In reference to the actual “two towers”, Tolkein never stated what two towers the book was named after. In the movie the two towers that were mentioned were Orthanc and Barad-dur (Saruman states this while looking in the palantir or standing on the top of orthanc, i dont quite remember). Tolkein actually considered many of the towers in middle earth: Orthanc, Barad-dur, Minas Morgal, Cirith Ungol, etc…He never choose two specific towers…

Moving cameras? If you feel sick, you should have stayed at home. I feel haveing these constant moving camera shots, you get the feeling that the cameras are actually there and are not restricted; its like you are there and obversing the action as it happens. I feel it makes things more beleivable, as if you were just there, floating above the action.

The elves are great. I feel they are the best part of the movies and the books. The way Jackson and the writers decided to portray the elves is done is such a way to make them more knoble. They seem to demand more respect. They are so graceful and elegant. If they would have moved faster or talked faster, they would have lost this element. The elves would seem just like men, but with pointy ears and straight beautiful hair.

As for “Glossing”…Jackson was told by the producers (or someone along those lines) to make the movie under three hours. He had to cut the scenes that were not crutial to the plot. He did make an agreement with them though. He said he would take the scenes out as long as the extended version was out befor “The Two Towers” was released in theaters.

The quiest Orc army? Of course they didn’t have to tip toe to gather in front of Orthanc. Grima and Saruman do not actually hear the orcs until they reach the window in the tower. I guess the tower is sound proof….

Marching in unison? Of course you cant make that many orcs march in step. But what would have been better to hear, the orcs marching with a very “chaotic shuffling of feet” or the menacing thump-thump-thump? Think about it.

At Helms Deep, The Uruk Hai did have more than “spears and those funny pseudo-carpenters squares”. If you notice, when the orcs first charge the walls, many elves are hit and fall from the walls. There are more than just two crossbows at helms deep. You not only see then there, you also see them when the orcs break down the door. After they brake a portion of the door down, they began to shoot at those trying to baracade the door.

I know everyone is entitled to their opinions, as I am, but alot of the other comments made by jdroth are ludacris. Get over the rocks. Hey, they’re hobbits. They’re simple. Stick to simple things. Alot of the timing issues can be looked over. They dont ruin the story line. They are not even that noticable.

Over all I loved the movies. Both “The Fellowship of the Ring” and “The Two Towers”. The only things I feel they should not have added was the Ents (not gathering the hourns) and taking Frodo and Sam to Osgiliath. By taking them, Jackson took them far out of their way and he also totally changed Faramir’s character. He was more cruel in the movie and I dont think it was something Jackson had to change from the book.

On 05 February 2003 (01:43 AM),
M@TT said:

Has this guy ever read the book the two towers I mean he sounds like he’s winching about how poorly the scenes were staged. I mean what else do u expect ok they F*cked up with the characters and the film but that doesn’t mean this A*sshole can wine about it. So if anyone think the film sucked then read the book u clowns it’ll make sense i’ve read the a couple times and i saw the film 3 times and it’s better than the last one.

NOTE: read the return of kings if u think two towers sucks

On 08 February 2003 (05:47 PM),
Bob said:

DAMN RIGHT!

On 08 February 2003 (10:41 PM),
J.D. said:

Because the last two commenters seem concerned that I’m unfamiliar with Tolkien: in the past twenty years, I’ve read the trilogy probably ten times. I’m by no means a detail geek (that’d be Dana), but I’m plenty familiar with the work.

I have no problem that Peter Jackson wants to change certain things with the book; I just want the changes to make sense, and to work on screen.

Also: Matt and Bob, I never said I disliked these films. They just didn’t live up to my (admittedly high) expectations, especially Peter Jackson’s Helms Deep. Just because somebody doesn’t worship a film that you think is great doesn’t make the other person wrong…

On 15 February 2003 (12:55 PM),
kingbridge said:

nice little debate lets talk about how jackson made and ruined certain characters king theoden whay is he such a wimp in the books he was a war monger wishing to go to his forefathers and not be embaresed by their deeds .then u have farimer the weak willed. ah dont get me wrong i liked bolth movies but these characters bugged me

On 14 March 2003 (06:14 PM),
heather said:

this is not about the movie but i need peter jackson’s e-mail address, if you happen to have i would love to have it i have to ask him a very important question! thanks

On 18 March 2003 (05:47 AM),
Susie said:

M@tt and Bob, you should be ashamed to post on the internet. I’m surprised you were even capable of reading the book! It’s just a shame you were apparently unable to learn anything about effective punctuation from Mr Tolkien.

And as for “me”, what kind of moron can’t even spell the word?

On 30 July 2003 (04:00 PM),
shooka said:

okay..this like 1 million years later…but first things first..

dude, quit griping about the movie. if you dont like it..dont watch it. :)

second…elves at helms deep..this wasn’t due to the fact that PJ didn’t have any money for the Huorns..in fact the Huorns are in the film.

last…dude, you’re a little too obsessed with Gollums bits…

On 03 August 2003 (11:01 PM),
frodofanatic said:

Ok, I don’t know why you did not like the music so much. It added to the battle perfectly, blending violins and bass instruments in splendid harmony. You must be deaf to think the music overdramatized the battle. You must have not listened to the way the music builds as the fight scened become more gruesome until Gandalf and the Rohirrim charge down the slopes. If you still don’t believe me, listen to the cd, without the battle. You will know what I am saying. You’re sick to be talking about Gollum’s-er-dangly bits. For likng the movie so much, you sure do like to post negative things about it.

On 04 August 2003 (07:12 PM),
dowingba said:

In frodofanaticism land it’s only possible to like 100% of something or hate 100% of something. Criticism is not allowed. One may only say “I do not like it” or “I do like it”; any variation is punishable by death, as well as every single other crime.

But I do agree the music is amazing, in both LOTR films so far.

On 07 August 2003 (06:49 PM),
Eric said:

It is quite clearly stated by Tolkein that the two towers were Orthanc and Minas Morgul. Minas Morgul, also know as Cirith Ungol was not even in Peter Jackson’s film. Further, in an interview, I heard him state that the two towers were Orthanc and Baradur…gah…he didn’t even know which towers were being referenced by the title of the book(s) he was making into a film. He isn’t qualified for this endeavour…Being as he only used one of the two towers in his film adaptation, I tend to refer to the second movie as, “Peter Jackson’s One Tower” It was an okay, if somewhat disjointed movie, with silly dumbed-down more modern dialouge and a lot of flashy effects in the big battle sequence, but I’m afraid the battle itself bored me…I agree very much that it wasn’t well done. Beyond that, there is the fact that because PJ played with the timeline and combined events (specifically–the refugees and Eowyn travelling with the King and his army to Helm’s Deep) that the battle of Helm’s Deep COULDN’T HAVE HAPPENED AT ALL! Theoden and his riders set out, rode hard (a forced march) and got to the keep just barely in time to be attacked. And that was only possible because it was a mounted force not burdened with any wagons or refugees on foot…..hence, Theoden and his forces would not have gotten there in time. Their travel time would have been easily doubled, if not tripled….and the orcs would have caught them in the open and slaughtered them…..in short, PJ’s depiction of the military campaign for Rohan (due to all his meddling with events, ignoring the timeline, and even geography)is intellectually insulting if you know even a little about medieval war and a good amount about Tolkein’s writings on the subject. The things he had happen in his movie are not possible given the structure and setup he used…

On 05 September 2003 (12:02 PM),
Ben Mead said:

Can you give me Peter Jackson’s e-mail address cos i’d really like to speak to him. I think the films are the best films i’ve ever seen.

On 13 September 2003 (03:06 PM),
Imrahil said:

Um, Eric? The tower of Cirith Ungol and the City of Minas Mogul are totally separate! Cirith Ungol is the name of the pass you idiot! Not aother name for Minas Morgul! By the way, the Uruk-hai pretty much kick the defenders @sses until Gandalf arrives. I agree about Faramir’s character being screwed up and about the Eomer and Gandalf charging down the hill. BUT, the causeway Theoden and his men charge down is barely wide enough for two horses, so the Uruks couldn’t get out of the way. Also, when the Rohirrim charge down the hill, the Uruks are blinded by the sun coming down the hill! It’s kind of hard to spear a horse when your blind. Yes, they could still have braced the pikes, but the horses could ride around them. And the sudden rising of the sun behind the hill would have suprised them so much they might have forgotten to brace their spears. As for the actual story, the Huorns and much more scenes w/Faramir will be in the extended edition dvd. Those dvds are for the purists who are whining because Treebeard has the wrong kind of moss beard! Oh, and for the record, the elves have composite bows, not longbows. Big difference.

On 26 September 2003 (05:14 PM),
jess said:

lord of the rings is a big loser movie, okay!!!!!!!!its dum!!!!!!!!!!!

On 26 September 2003 (08:56 PM),
dowingba said:

Remember that Orcs hate sunlight, too. Now, the Uruk Hai don’t hate it as much as normal Orcs, but they hate it nonetheless.

On 29 September 2003 (06:54 PM),
LegolasFan said:

When I saw Helmdeep, I wondered how they made it. I wanted to know if I could have a blueprint. You see some friends are working on a prodject, A movie, they wanted to know how to make Isengard, Mordor, Helmdeep, Rivendell, The Shire, Rohan, Gondor, and all those kinds of things, they are actually going to try and make a kids version of Lord of the rings, they will call it Prince of the Rings. No they aren’t going to copy all of it, They just like how Peter Jackson made the book come alive and they thought they should make a kids version of it. Have auditions and everything. We loved how he espesially made rivendall and helmsdeep.
Things that I thought needed allittle work:
nothing
Things that I loved about the movies:
Everything
Arwen (Liv Tyler) Awesome, I loved the way you talked in Elvish teach me.
Legolas (Orlando Bloom) I loved the way you said Elvish in The Two Towers while talking to Aragorn at the very end of the sentence.

On 24 October 2003 (09:25 AM),
Kyadoshi said:

I suggest you quit analysing story details and do what Sartre suggested.

Suspend your disbelief.

If the movie doesn’t do that for you, then I’m sorry. Go listen to rap.

On 25 October 2003 (09:33 AM),
Sandor jun. Simon said:

Hello.
I’m from Germany and my Englisch isn’t very good. I admire Peter Jackson and the Lord of the Rings is really fantastic. I want to write a letter or an e-mail to Peter Jackson. Is this possible? The Lord of the Rings has change my life and I cannot stop thinking.

Thank you
Sandor jun. Simon
sandor1989@gmx.de

On 12 November 2003 (03:24 PM),
championangel121 said:

First of all, Sandor jun. Simon, for someone who’s moved here from Germany your English isn’t at all bad. You probably can write to Peter Jackson and get something back, even if not directly from him. Perhaps some others can help?

Now for the rest. First of all, I’m someone who actually likes the battle scenes and stuff. That said, I agree with many points, but disagree with some:

This is a fantasy movie. It may seem unrealistic, and in parts it is, but that’s because you’re looking at it from a 21st century person’s eye, not experiencing it from a pre-medieval viewpoint. Have you any idea just how powerful a few horses can be? The causeway is narrow; a bunch of thousand-pound beasts running much faster than humanoids can, and mounted men with swords; think about it. All they have to do is nduge them a few feet. Its overdone, but if it’s going to have that Shakespearean feel to it, then it needs to be overdone. From realistic viewpoints, its overdone. From the movie, pretty good. It was worth it, at least to me.

Throwing rocks: Well, duh it doesn’t kill them. They’re rocks. Still, even hobbits throwing rocks can knock people out. They actually didn’t throw rocks in the 1st movie, only in the EE. Remember the Hobbit? Hobbits are good at games, and Bilbo was “dangerous” with stones. I’d bet Merry and Pippin are even stronger than him and had larger stones. Again, maybe overdone and not really necessary, but pretty realistic.

Wormtongue: Well, probably not. That is pretty ignorant.
Marching: I’ve often wondered about this. Again, its supposed to be imposing. I don’t know what a massive horde marching sounds like, so I can’t really comment well.
I’m not even commenting on dangly bits.
Elf and Dwarf: Yes, Gimli is changed to comic relief in the movie, which is a prime complaint from many. Orlando Bloom is a great actor (not to mention really hot from a girl’s standpoints) and he has yet to have a starring role. Not even PotC really worked. But you have to keep attention where it belongs-like you’ve been saying over and over again. About the chain mail, all he has to do is slip it off; he doesn’t actually wear it, or I don’t remember the movie well enough.
Faramir: This was one of the worst changes in the movie from the book. They’ve changed Faramir from strong helper to obstacle. I think that they’re trying to build up his character, which you’ll see in TT EE and ROTK: how he’s always been second to Boromir and nearly despised by his father. How he’s pretty much banished to the backwoods with a small group of men and left to do whatever. How he’s still a proud man of Gondor who could control the Ring and who doesn’t know its true potential. Still, I disagree with what they did in this film.

Aragorn’s fake death: Again, I agree with you. Come on. VM broke his toes for this scene! They really didn’t need it, it probably fooled hardly anyone, and it took away valuable time.

Uruk-hai: I disagree entirely here. Just watch the movie: Orcs are guarding Isengard, not Uruk-hai. And the Uruk-hai aren’t being defeated easily; they’re trading nearly one to one with the Elves and Men of Rohan. They didn’t need crossbows, of which they almost certainly had more than the two seen; you can even tell from the number of Elves hit! Why use bows when you can just send massive amounts of troops through a blasted breach and over a wall? The Uruk-hai were doing very well, and didn’t at all tumble like matchstick men.
Horse Charge: One of the top two or three epic scenes in movie history. Enough said,
Music+Camera: If it was any other way, the movie would probably be worse. You can’t do much better.
Elves: Maybe so. But its worth it to gain insight into them. You have to build up the story and provide some background.

Enough. See my drift? Good comments, good positives. Arwen is awesome! Anyway, signing off. I’ll try to find PJ’s or the LOTR effort’s e-mail and/or mailing address. See ya!

On 16 November 2003 (02:46 PM),
Billy said:

Enough about the two towers, it’s time to tackle the problem of Christopher Lee’s character being dropped from the RotK. Sign the “Put the Saruman scene back into the Return of the King” at:
http://www.PetitionOnline.com/smanrotk/petition.html

On 01 December 2003 (12:53 AM),
JJ said:

VM broke his toe when he kicked the orc helmet at the orc funeral pyre, that the rohirrim (?) made, thinking that the FS had failed to save the hobbits.

My interpretation of the Gandalf charge into the orcs was that at the last moment, Gandalf cast a blinding light against the Orcs, causing them to lose their line in the confusion and bewilderment.

Hated the Legolas surf board. That was just pandering to box-office.

Agree on Faramir subversion. That just did not make sense.

On 01 December 2003 (02:30 PM),
Ruthie;-) said:

Hey ya’ll….

Just a few little comments I’d like to make. I am by no means a *LOTR Fanatic*, but I do love and admire the books and love and admire the movies. But really…lighten up!! I mean, you don’t have to take it so seriously! First of all, it’s a fantasy. It doesn’t exhist!! Yeah, it’s a great book, and yeah, they changed some crucial stuff in the movie, but who honestly expected the movies to live up to the books anyway?
I agree mostly on the Faramir stuff. Don’t get me wrong…Faramir is my favorite character and I was extremely disapointed when I first saw the movie, but I can see what PJ was trying to do. It’s hard to show the inner struggle on the movie screen, and I think he was trying to bring that out a bit more. No, if I’d been in charge, I wouldn’t have even entertained the thought of doing it that way, but it’s not ALL that bad. It’s actually pretty good in the EE, because Faramir has all these flashbacks and extra conversations with Frodo and Sam. (Ok, I’m probably gonna get yelled at pretty bad now, but hey;-)
One last thing…Arwen’s lips the BEST part of the movie? Oh…wow. Right. Can you run that by me again? Arwen’s lips the…best…part of the movie. Sure. (Having a hard time grasping this here.) Personally, I think that’s the WORST part of the movie!! Woo…just thinking about those whoppers makes me feel a little sick! They must weigh 5 pounds each!! Did she get an injection or something? Wow.
Alright, I’m done.
Overview: I liked the movies a lot. They had flaws. They weren’t as good as the books (duh!) They were a little corny at points. They went a bit too fast at some points. SO WHAT?? I still love them;-)

On 01 December 2003 (06:19 PM),
Kevin Cheberenchick said:

I Love The Lord of the Rings. I’ve read all of The Lord of The Rings books. I’VE ALWAYS WANTED TO BE AN ACTOR IN THE LORD OF THE RINGS. I have all of them on on DvD with nothing taking out and I always watch the movie before I see the next one. And I ALWAYS watch the Speical Features. Peter Jackson I say you should make “The Hobbit” since they dont have The Hobbit with people acting in it the have a cartoon Hobbit. You should use the people that acted in the the others movies like Gangdalf and if you need any other people that are only in “The Hobbit” YOU CAN ASK ME PLEASE (I put my e-mail)

On 01 December 2003 (06:19 PM),
Kevin Cheberenchick said:

I Love The Lord of the Rings. I’ve read all of The Lord of The Rings books. I’VE ALWAYS WANTED TO BE AN ACTOR IN THE LORD OF THE RINGS. I have all of them on on DvD with nothing taking out and I always watch the movie before I see the next one. And I ALWAYS watch the Speical Features. Peter Jackson I say you should make “The Hobbit” since they dont have The Hobbit with people acting in it the have a cartoon Hobbit. You should use the people that acted in the the others movies like Gangdalf and if you need any other people that are only in “The Hobbit” YOU CAN ASK ME PLEASE (I put my e-mail)

On 01 December 2003 (06:22 PM),
Kevin Cheberenchick said:

Sorry I posted so many it to a while but Please still read my and if you do make “The Hobbit” you can choice me.

On 11 December 2003 (02:52 PM),
Adrimal Ardvark on board the Bolivian Navy Ships (currently on manuvers in the South Pacific) said:

Give me a break!?! Please!!
You’re ‘review’ is complete lies man! Yes the movies that Peter Jackson made are not infalliable but who the hell can make PERFECT movies, espically when you’re dealing with the greatest story ever told. The books were sublime and of course the film adaption won’t be as good, it never could but Jackson, Walsh, Boyens ,TAylor et al have done a brilliant job in adapting them.

I do see where you’re comin from cuz the uruks fell like little girls but it wuz needed, remember it was our heros that threw them! And as for how they got the rocks… use you’re imagination! Treebeard gave them to them.
All in all the movie is worth well more than a 6.0, 9.5 at least.

When citing it’s fault remember that the movies had to make money so they had to appeal to those that haven’t read the books and this justifys why (although I really disliked them both) Faramir being such a dick and Aragorn’s faux death.

I am completley confident that RotK will clean up at Oscars 2004. It couldn’t not. Can’t wait for Dec 17th.

On 16 December 2003 (07:03 PM),
Rachel Nipper said:

GIVE ME A BREAK!!!
PJ did his best ( and his best was great!). I am in love with the movies and the books, and that does mean I may give it a little more credit. Not that I don’t agree with you at all, but I loved the movies (the books are better though). Here are my opinions (jeeze you guys are going to be yelling at me aren’t you?)

Moving Cameras-If the movies make you sick forget about watching them!The moving camera (like someone else said but I forgt, sorry) makes it seem like you are in the movie! It was awesome.

Actors- I agree with most of you there, the actors made a brilliant performance. (Although the whole “Arwen’s lips being the best part” thing was just stupid!) And why are you so obsessed with gollum’s dangly parts (kind of strange)?
Battle Scenes- I thought the battle scenes gave it something extra, I don’t want to go 2 indepth but dude, use your imagination about all those stuff, it is a fantasy movie.
Well I really could go on, and on, and on, but I’d rather not. Wait, before you move on to the next posted mail pleeeeeeeeeeeeease give me Peter Jackson’s address, e-mail address, anything that I could write to him on! I NEED to say something to him. And on Ruthie and the Kevin guy’s post, I am so dreaming of being in one of those movies too! Anyone have his address, anyone?

On 16 December 2003 (09:25 PM),
Courtney said:

I disagree with a lot of what you said.

No movie can ever live up to the book. When you read a book “your” imagination runs wild. Everyone’s imagination is different and therefore we get different interpretations about the book. However – P.J. did stray from the story, especially with Arwen and a few other things.

About the music. I think Howard Shore is an amazing composer. I remember watching TTT for the first time and hearing the music when the elves came to the battle of Helm’s Deep. The way Shore took the theme from Lothlorian and added a snare drum (among a few other things) to it to make it more warish was awesome. I’m a music person, so that just made my day because of his cleverness. I’m totally stoked about the ROTK’s soundtrack.

Also – you have to remember that the first two movies never reach the climax that is in the thrid movie. It’s all exposition and rising action.

And – I think P.J. has accomplished a great deal with what he’s done. No one else could have created a world that makes you feel like you could take a trip to. Considering Tolkien’s world was fantasy, P.J. has made it real. Imagine if the movie was made while Tolkien was alive. It would have been horrible and you probably would have thrown up, but not because of the camaras. They could not have made this movie then.

Congratulations to P.J. and the amazing cast and crew and to Howard Shore. I wish I could have been an extra or played in the orchestra for these amazing monumental movies.

Don’t knock things – especially if you can’t do any better or if Tolkien wrote them (i.e. the rocks and such). Just get over it.

On 22 December 2003 (09:35 AM),
Shane said:

I have to greatly disagree with some of what Courtney says. She’s is taking the role of an apologist and tries to deflect any criticism by saying that if you can’t do any better, don’t knock things.

No.

People have all the right in the world to “knock” things. I do not have to be a computer engineer to know that an old 486 chip is slow compared to a new Pentium 4 or AMD processor. Just as I do not need to have skills matching or surpassing those of the inventors of these computer chips in order to understand this, I do not need to have skills matching or surpassing those of various directors or authors to notice failings or successes. Your way of arguing is a deflectionary method which is not worth anyone’s time. You yourself are knocking the opinions of people here by writing your comment. Are you equal or beyond them in their skills?

No. We will not get over it. We care about and love the books. If we see people perverting the very nature of the characters in the book or just simply notice a character wearing something different seconds later, that is not wrong. We are not simply discarding all the amazing work that has been done in the rest of the films but are only seeking to point out flaws in our never-ending quest for excellence. If you do not want to search for excellence then don’t, but please do not tell us to “get over it”.

Oh and there are plenty of people in the world who could have done worse, as good or perhaps even better than Peter Jackson. There are so many people in this world that you can never elevate one man and say that nobody else could do that as well. This is simply inaccurate. Not many who could have? That would have been likely but there are certainly others.

My own thoughts? I loved the movies in so many ways that I could not explain them all right here. The positive sides to the films are so great and obvious that we tend to not mention them as often as the flaws but there are there just the same. I was very, very disappointed with how they ruined the character of Farimir and reduced his honor and wisdom by making him falter to the degree that he did with regard to the ring. I disliked Peter Jackson going on a tangent with “Aragorn’s Death” and dream. I loved the scenery and the acting. I thoroughly enjoyed the costumes and was extremely impressed with the sight of Minas Tirith and Minas Morgul. Very nicely done to say the least.

I think Jackson and the cast and crew of the films should be saluted for their superb job. It was an excellent rendition, far surpassing those of the past. By no means perfect or without glaring flaw but excellent all the same. I commend them for their hard work and wish to drive others onto greater work by pointing out areas of improvement, rather than ignoring them and simply settling for what is. I will always remember these movies as a high quality benchmark for excellence but I cannot simply ignore they utter ruin they bestowed upon the very character of several individuals either. (Faramir’s ring-lust & Frodo being tricked by Gollum regarding Sam for example.)

On 27 December 2003 (09:24 AM),
Michael Hamill said:

after viewing the return of the king, i had to wonder WHY jackson ever left out bombadil of the whole trilogy. in the films i believe a character such as bombadil is required, i fully understand the concept of time and that the movie has to appeal to die hard fans and the less enthuastic tolkien followers but this was truly the biggest error leaving out bombadil (in my opinion).

On 05 January 2004 (05:17 PM),
Emily said:

Ok, I read all the stuff up above, but what i am really looking for is Peter Jacksons email or address or a site where i can write 2 him or something! If u have info please mail me at jt2111ENGLISH@msn.com. This is my moms email because mine is not working, so put To Emily under the subject. Thanks!

On 05 January 2004 (05:17 PM),
Emily said:

Ok, I read all the stuff up above, but what i am really looking for is Peter Jacksons email or address or a site where i can write 2 him or something! If u have info please mail me at jt2111ENGLISH@msn.com. This is my moms email because mine is not working, so put To Emily under the subject. Thanks!

On 18 January 2004 (02:42 PM),
Tulkas said:

I think Peter Jackson is to Lord of the Rings, what James Cameron was to the ship “Titanic,” i.e. he turned the story into a corny action chick-flick, but not even that much in that the characters in “Titanic” actually would have looked better in “Lord of the Rings” than the geeks cast as elves, kings, great warriors, wizards etc; in fact, Kate Winslett was originally supposed to play Arwen, but she was replaced by Olivia Tyler to shut up her screaming tantrums, when her dad, the lead guitarist for “Aerosmith,” used his connections to gave his little groupy-goof what she wanted– and to make all that plastic surgery pay off.
And speaking of Arwen, who the hell made the virgin goddess into Xena? Thank New Zealand for that!

Furthermore the entire movie looked like it was filmed in miniature, and in a cesspit with dirt and crap all over everything; people who read the books might like it, but people who UNDERSTAND the books should hate it.

On 28 January 2004 (04:45 PM),
I LOVE ELIJAH WOOD!! said:

hey well I think that PEOPLE should appreciate the movies and how much work was put in to them. come on, Peter Jackson worked for over 5 years on these!

On 07 February 2004 (01:20 PM),
Emily W. said:

First of all i disagree with many things that you said were “bad”.

“If Saruman is such a mastermind, if he’s going to the trouble to mass ten thousands of orcs, then:
Why doesn’t he give them a little training so that they don’t fall like matchstick men at the first hint of combat. These Uruk-Hai are supposed to be tough and scary, yet they’re so delicate that two hobbits can hold off dozens of them. That’s not very scary. They’re no better than rats.”
-First of all, in the books (of which this movie was written from) there’s no reference that Saruman gives training to his Uruk-Hai. Now i can see how they could have just “added” it in there, but it’s not that important or essensial to the movie. Remember, they were trying to focus the movies around the ring bearers journey. They didn’t have enough time to go into great detail.

“Where do Merry and Pippin get the stones that they throw while perched upon Treebeard’s shoulders?”
-is that really essential to the movie??!! who cares how they get the stones! That’s reading way too much into the scenes.

“Gandalf and the Rohirrim charge down an impossibly steep slope. Any horse galloping down this embankment would, in reality, lose its footing on the first stride and tumble headlong into the waiting army of orcs. The scene looks silly.”
-yes, some of that may be true, but the music combined with the climatic entry of the Rohirrim is just magnificent! Look past the impossiblities and just enjoy the scenes.

Now to get that over with, (i had to say my opinion!) i want to comend Howard Shore for his magnificent score!!! Bravo! When i saw the 1st movie i was thrilled with the music (i always pay attention to the music in films b/c i am a music person who plays the trumpet). The 2nd movie was kind of a let down compared to the 1st movie. The “theme” of TTT music seemed to be quite war-ish, alittle too war-ish for me (i think the battles in the 2nd movie were a little too long. They didn’t seem that long in the book!). But when i saw the 3rd movie i was thrilled! The brass parts were magnificent (oh and of course the other instruments were good too! lol :)) It topped the trilogy off well. Bravo Mr. Shore!

On 11 February 2004 (07:49 PM),
Sammy said:

I’m weirded out to see that you can find so many negatives in such a great film. Even if you see things you don’t like, try to focus on the positive more..I mean, c’mon…PLEASE! And what’s with this “battles scene were not well done” thing. Think YOU could have done a better job?
Doubt it.

On 12 February 2004 (06:43 PM),
Jacob D. said:

I have the first lord of the rings on vhs and the two towers on dvd. I think that they are brilliant movies! If you hate the storyline, they it is easier to see whats wrong with these movies! I enjoyed the plot and the graphics are very well detailed! I could barely spot all the mistakes that everyone posted online. I am not complaining!!! Could you get me the e-mails of orlando bloom, Viggo Mortensen (played Aragorn), and some others! they are my favorite actors! the movie is just a masterpiece!!! Thanx SO MUCH!!!!!! jsnicks@nc.rr.com

On 13 February 2004 (12:52 PM),
Jacob said:

I am desperate for the Emails please!!!!!!!!! I want them so badly!! please respond to this anyone with info on viggo mortensen or orlando bloom please send them to me!!!!!!!!!

On 14 February 2004 (09:37 AM),
Emily W. said:

Hello Jacob! I love those characters too! I’m sorry i don’t have the e-mails of them, but i do have mailing addresses. If you’re looking for them to respond back, it’s probably unlikely seeing as i sent them a letter like 2 years ago and…. zip. Anyways, i did ask for an autographed picture from Elijah’s company thing, and they sent one back (the autograph is probably copied but it made my day :)). So here are the mailing addresses to some people.

Orlando Bloom:
c/o Artists Management group
9465 Wilshire Blvd.
Beverly Hills, CA 90212 USA

c/o Chris Andrews
ICM
8942 Wilshire Blvd.
Beverly Hills, CA 90211 USA

Viggo Mortensen:
c/o The Rawlins Company
3933 Patrick Henry Place
Agoura Hills, CA 91301 USA

Elijah Wood:
c/o Willam Morris Agency
151 El Camino Drive
Beverly Hills, CA 90212 USA

Sean Astin:
P.O. Box 57858
Sherman Oaks, CA 91413 USA

If you need anyone else’s i’ll be happy to give it to you! untill then, hope you can use these.

-Emily W.

On 14 February 2004 (10:01 AM),
Emily W. said:

P.S.
(one of my favorite scenes in TTT)

Frodo:”I can’t do this, Sam.”
Sam:”I know. It’s all wrong. By rights, we shouldn’t even be here. But we are. It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn’t want to know the end… because how could the end be happy? How could the world go back to the way it was… when so much bad happened? But in the end it’s only a passing thing… this shadow. Even darkness must pass. A new day will come. And when the sun shines it will sine out the clearer. Those were the stories that stayed with you…that meant somethin’. Even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories… had lots of chances of turnin’ back, only they didn’t. They kept goin’…because they were holdin’ on to somethin’.”
Frodo:”What are we holding on to, Sam?”
Sam:”That there’s some good in this world, Mr. Frodo. An’ it’s worth fightin’ for.”

-I LOVE that scene!!!

On 19 February 2004 (03:44 PM),
Vaessa said:

Emily can you get Foromire’s adress(sp?) for my friend?

On 24 February 2004 (02:10 PM),
Emily W. said:

Hello Vaessa,
I’m sorry it’s been a while but i wanted to get a post up on here. You probably won’t get a mail address from me this week because i have like a bajillion and one things i have to do for school, so once the week-end comes i’ll search a little harder. So far i’ve found nothing. It will be hard to find his mailing address seeing as he’s not an actor from the usa. Thanks so much for you understanding. I’ll see what i can do :) I really only have the addresses for the fellowship but i’ll try. cyaz!

-Emily W.

On 28 February 2004 (01:41 PM),
Emily W. said:

Hey Vaessa!
After much searching i found David Wenham’s (Faramir) mailing address! It’s through a company so i’m not sure if you’ll get a response. But here it is anyway!

David Wenham
c/o Artists Independent Network Vanessa Pereira 32 Tavistock Street London WC2E 7PB United Kingdom

There ya go! I’m glad i could help!

-Emily

On 01 March 2004 (05:51 AM),
TolkFanatic said:

So many of the comments here are like those on Amazon — if you don’t give a movie 5 stars you suck. The reason I didn’t like the movies is the destruction of the secondary charachters. The only one they got right was Boromir. Theoden, Faramir, even Eyowen were all de-emphasized for the sake of the primary characters. The other reason I was so pissed off was not that I can’t accept change between the books and the films, but that Peter Jacksopn et. al. made such a big deal about how “accurate” his portrayal was. I’m sorry, but you can’t make such claims, unless you’re going to try to be accurate.

In response to some posts above:

1. “* Why doesn’t he give them a little training so that they don’t fall like matchstick men at the first hint of combat. These Uruk-Hai are supposed to be tough and scary, yet they’re so delicate that two hobbits can hold off dozens of them. That’s not very scary. They’re no better than rats.
– Talk to Tolkien about this. In the book the hobbits do exactly as they did in the movie except that I don’t recall the chase into Fangorn Forest. Of course, in the movie the hobbits only survive because Treebeard squashes the orc first rather than the hobbits.”

Two things — Sauruman didn’t know which hobbit had the ring, so he told his orcs to capture, without harming or searching them. In the book, Merry slices off several of the orcs’ arms and hands before they’re taken. See, Merry and Pippin had swords, which they got from the wights after meeting Bombadil. So that got cut. Tolkein writes that Boromir is pierced by many orc arrows before he dies. I got the impression from the way Tolkein writes that most, if not all orcs carry bows. also, the Isengard Uruk-Hai were joined by orcs from Mordor.

2. *What? Wormtongue doesn’t know anything of Saruman’s master plan? And somehow thousands of orcs managed to gather outside in hushed whispers and tiptoes?
-Why would he know of how many orcs Saruman has? He’s a soothsaying spy that just got tossed out on his ear, presumably rode hard to get to Isengard and probably has no idea how much strength Saruman has amassed.

Wormtongue was in and out of Isengard many many times in the books, Gandald guesses. Like over years’ time. He must of known of most of Sauruman’s plans and plots.

3. In reference to the actual “two towers”, Tolkein never stated what two towers the book was named after.

It’s helpful if you understand that Tolkein’s inital publisher named the three books and he hated the titles.

4. nice little debate lets talk about how jackson made and ruined certain characters king theoden whay is he such a wimp in the books he was a war monger wishing to go to his forefathers and not be embaresed by their deeds .then u have farimer the weak willed. ah dont get me wrong i liked bolth movies but these characters bugged me

Theoden was ruined. In the book, all Gandalf did was shake the dark out of his eyes. But in the movie, he’s this naysayer all the way into the ROTK. In the book, Gandalf tells him to hide with his people in the hills, but he says – you don’t know your own strength, Gandalf, I ride to war. In the ROTK, he’s ready and willing to aid Gondor, and doesn’t pout about “they’ve never helped us.”

What kills me is the books was all about how the main charchters were sources of inspiration to the 2ndary charachters. They helped them past their doubts and returned them to their previous glory. Faramir, Theoden, Treebeard are all perfect examples. But that was too subtle for Jackson. He had to have people nag them to death about what was right. It was so surface it sickened me.

5. This is a fantasy movie. It may seem unrealistic, and in parts it is, but that’s because you’re looking at it from a 21st century person’s eye, not experiencing it from a pre-medieval viewpoint.

All movies have to live up to the reality of their own framework. What I mean is, if a movie is about dragons, fine, I’m not going to complain that they can’t fly because they’re too heavy. But if the dragon gets killed by the first arrow, then it’s unreal within its own setting. See? For great fantasy, watch Conan the Barbarian. Conan, though a highly-trained and strong warrior, is still just a man, and can only take on 1 guy at a time. The scene in ROTK with Sam and Shelob was so unispriring I almost laughed. Shelob was supposed to be the queen of all spiders, and all she can do is push him around on the wall? C’mon. I felt like I was watching the muppets there.

6. I will always remember these movies as a high quality benchmark for excellence but I cannot simply ignore they utter ruin they bestowed upon the very character of several individuals either. (Faramir’s ring-lust & Frodo being tricked by Gollum regarding Sam for example.)

I could have forgotten all the above and still enjoyed the movies, except for the way Frodo betrayed Sam. Always in the books, whenever the dark greed fell on Frodo, he quickly recovered and it bonded the two hobbits more closely. Having Frodo trust Gollum over Sam was absurd. I alomst walked out of the movie after that. It was Jackson’s final failure.

On 05 March 2004 (02:30 PM),
Emily W. said:

Hummm… So many things you said above were, well really harsh. I would’ve like to see if you could have done better. I agree with the part about how Frodo betrays Sam. It wasn’t in the book and the point?? But still, it wasn’t a failure! Look at the massive job that these people take on and it’s amazing that they even finished the movies. No, the movies weren’t perfect, but they were still a masterpiece.

On 17 March 2004 (08:00 PM),
Krishan Bhakta said:

Heelo can u e-mail me back 2 busy rite now thank you

On 18 March 2004 (04:46 PM),
gemma said:

hey im wonderind if i can please have Peter Jacksond address im am going to audition for a part in his next movie cause i thought that he maid three other great movies and i wanted a chance in being in king kong i have been in productions before and i realy want to send some information to him about me and i have looked everywere for his address and then i found this
pleeez can i hav it its important to me

On 18 March 2004 (04:57 PM),
gemma ward said:

the lord of the rings triliogy was the best movies that i have ever seen in my whole life i dont no why some people say harsh things about it. the first time i read the book was when i was 6 now im fourteen and desperate to be in his next move i have been in plays and productions before and i would appreciate it if you could send me peter jacksons address to my email. it would be great if i could just send him my info and i cant do this if you dont give me his address CAN YOU PLEEEZ SEND ME SOME INFORMATION ON HIM AND WHEN THE AUDITIONS ARE. IT WOULD BE A GREAT HELP THANK YOU SO MUCH DONT FOR GET

IT IS REALY REALY REALY IMPORTANT THAT I GET MY INFORMATION TO HIM REAL SOON BE FOR IT IS TO LATE

On 09 May 2004 (01:15 PM),
Emily w said:

Hey i don’t know if this will help but i only have his mailing address.

Peter Jackson
c/o ICM 8942 Wilshire Blvd. #219 Beverly Hills, CA 90211-1908

It was the best i could do. Hope you get your chance in king kong!

~*Emily*~

On 09 May 2004 (01:19 PM),
Emily w said:

By the way, it doesn’t show your e-mail, Gemma. You have to type it.

On 29 November 2004 (08:43 AM),
Jessica said:

when are the audtions for the Hobbit going to be and where will they be held???

On 14 December 2004 (12:31 PM),
someone said:

Dear god, you people are pathetic. Half of you cannot spell good enough to pass third grade, and the other half are most likely IN third grade.
1. I like the movies, and I can see his points
2. You will NOT get a part in Peter Jackson’s next movie.
3. You will NOT get a personalized reply from any of the actors

On 14 December 2004 (03:08 PM),
Joel said:

Er, someone (if that is your real name), shouldn’t it be “Half of you cannot spell WELL enough to pass third grade…”?

On 27 December 2004 (02:56 PM),
Ezri Bloom said:

Hey SOMEONE Joel is correct so maybe you are the one who needs to go back to third grade and learn correct grammar!!

On 13 January 2005 (01:51 PM),
Emily W. said:

hahahaha!!! Y’all are so strange! :) Be happy! Hey the extended 2nd movie is out! And it shows i think the running into Fangorn forest. Remember, they couldn’t put EVERYTHING into the movie, it would be just way too long! Although, I wouldn’t mind if it were like 5 hours! lol :)

On 16 March 2005 (05:19 PM),
marcia said:

PLEEEEEEEEAAAAAASE HELP! I NEED PETER JACKSONS ADDRESS! I HAVE BEEN ON THE COMPUTER FOR HOURS ON END AND TO NO AVAIL! THENKYOU SO MUCH IF YOU CAN HELP! IF THE CORRECT EMAIL ADDRESS COMES BACK I WILL SEND SOME EXCLUSIVE PHOTOS! THANX AGAIN!

On 02 April 2005 (08:52 AM),
Ruben said:

i need Peter Jakcsons e-mail realy bad can you help.

Ruben

On 23 April 2005 (10:39 AM),
Murray MacDonald said:

Dear Peter Jackson. My name is Murray MacDonald Im 12 years old. I am a Autistic boy and I live twelve miles from Oban in Scotland. I am a huge Lord of the Rings fan I have seen both origanal and Evtended edition’s of all three films on DVD. Please could I have your Email Address because I was wondering if I could come down to New Zealand with my parents and my two brothers who also like the trilgoy and meet you and some of the cast members who live there. Hope you are well from Murray MacDonald
Phone number 01631 750 231
Email kenny.macdonald1@tesco.net
Address
Alder Cottage West
Ardchattan
Connel
Argyll
PA37 1RG
Scotland

On 23 April 2005 (10:39 AM),
Murray MacDonald said:

Dear Peter Jackson. My name is Murray MacDonald Im 12 years old. I am a Autistic boy and I live twelve miles from Oban in Scotland. I am a huge Lord of the Rings fan I have seen both origanal and Evtended edition’s of all three films on DVD. Please could I have your Email Address because I was wondering if I could come down to New Zealand with my parents and my two brothers who also like the trilgoy and meet you and some of the cast members who live there. Hope you are well from Murray MacDonald
Phone number 01631 750 231
Email kenny.macdonald1@tesco.net
Address
Alder Cottage West
Ardchattan
Connel
Argyll
PA37 1RG
Scotland

On 23 April 2005 (10:39 AM),
Murray MacDonald said:

Dear Peter Jackson. My name is Murray MacDonald Im 12 years old. I am a Autistic boy and I live twelve miles from Oban in Scotland. I am a huge Lord of the Rings fan I have seen both origanal and Evtended edition’s of all three films on DVD. Please could I have your Email Address because I was wondering if I could come down to New Zealand with my parents and my two brothers who also like the trilgoy and meet you and some of the cast members who live there. Hope you are well from Murray MacDonald
Phone number 01631 750 231
Email kenny.macdonald1@tesco.net
Address
Alder Cottage West
Ardchattan
Connel
Argyll
PA37 1RG
Scotland

On 13 July 2005 (11:43 AM),
whodyanikabolokov said:

You all need to get a funkin life especially the sad old fuke who was moaning about not seeing gollums ‘dangly bits. Love to see you make a better film you tosser.

Me, myself and gollum

On 14 July 2005 (10:06 AM),
Will said:

Hi,
I am a huge lotr fan and am even planning on going to live in NZ. I think Lotr is fantastic and I don’t know why people hate it so much as to make a web site about how much they hate it!
To be honest I think that any one who dislikes lotr should look at all of the facts.
– Lotr took a total of 6 years to complete, including all of the designing processes.
-Filming took 14 months.
-PJ hired the best cast to play the parts of all the characters.
-The best composer ever was making the music-Howard Shore.
-The best visual effects, prosthetics e.t.c producers were hired- WETA Workshops.
-Lotr won a total of 11 OSCARS. The world record.
so some one must like it!

It sad to think that it was nearly 2 years since lotr was finished and every one has calmed down about it. But one day, hopefully peter Jackson will make The Hobbit then all of the madness can start up once again.

From Will, Gollums twin.

On 27 August 2005 (03:24 PM),
Cassandra said:

I have been a huge fan of LOTR ever since i picked out the Hobbit picture book for my dad to read to me when i went to bed when i was four. Sure, some parts of the movie are a bit unessecary, but look at it this way… the orgins of this book started almost a hundred years ago when Tolkien enlisted in WWI. Guess were the dead marshes came from? The bodies in the water-filled trenches on the battle field. Tolkien had one of the most imaginative minds that I believe there ever was. It’s taken us almost a century to catch up with it. Because the master himself cannot preside over this project, Mr. Jackson did the best he could. It was a HUGE risk to take on this movie… and i believe he pulled it off very well. Your not supposed to pay attention to slightest detail and then rip on it. It’s the movie as an overall. It’s wonderful, it draws you in toward the characters, makes you feel for them. I believe a movie is not only about the camera angles, shots, and graphics, but how well the movie engages the audience. How it pulls them in and says, “Your in it now, too.” I’m rather fond of Legolas too, and was disappointed that he wasn’t it the movie as much as he should, but his time on screen was well managed and forgiving because of the “importance” of other characters at that moment. Mr. Jackson did an amazing job, much better than we could ever dare to dream. and if ur still disappointed, in about another 60 years, YOU re-make it and see how hard it is to translate the un-translatable onto the big screen without complains from fans like us.

On 08 September 2005 (08:11 AM),
RAGHAVAN said:

PLEASE IF ANYONE CAN GIVE ME PETER JACKSONS EMAIL ID PLEASE MAIL IT TO rahul_01_2000@yahoo.com I REALLY NEED TO TALK TO HIM PLEASE I WOULD REALLY BE GREATFUL TO YOU THANKS

On 08 October 2005 (06:30 PM),
Hillary said:

Hey i love Lord Of The Rings its my “ALL TIME FAVORITE MOVIE” I hope that Peter Jackson pusses through and makes “The Hobbit Movie” iam waiting for this movie to some out and hopr it does!!!!!! Thanks alot *Hillary*

Chamber of Secrets Photos

As promised, here are photographs of our costumes for the premiere of Harry Potter and the Chamber of Secrets. We were not the only ones in costumes. One group of teenaged girls were dressed as Gryffindors. Two rebels came as hobbits, bare hairy feet at all. I’d imagine that even more people came to the earlier shows in costume.

[Note: Again, these photos are very dark on certain monitors, but look great on my PC at home and on my iBook. I’m going to have to determine what is causing this problem.]


Aimee Rose as a Cornish pixie and Joel Alexander as a surly garden gnome


Jeremy and Jennifer as the Duke and Duchess of Hubbard, one of Hogwarts’ “living” paintings


Pamela as a house elf, Mackenzie as Professor Quirrell


Kris as “Hermione transformed into a cat after drinking the polyjuice potion”, J.D. as Uncle Vernon Dursley (note moustache)


James (?) as a Weasley, Clotilde as Hedwig the owl


Joel and Jeremy, further on the road to lung cancer

Maybe we can all dress in costume for The Two Towers. I’d love to see Joel go as Gollum. I’d have to be Gandalf the Wise, of course.

Comments


On 20 November 2002 (09:26 AM),
jeff said:

Your comments section could use some kind of seperator between posts. They all kind of run together if the poster’s name is not clickable.



On 20 November 2002 (10:00 AM),
Dana said:

I think you’d be more suited to a Hobbit than Gandalf… :)

The reason the pictures look dark on some displays continues to be the reason I pointed you at earlier. Here’s another discussion here, at “Why Do Images Appear Darker on Some Displays?“. Of course, I doubt think you’ll pay attention this time, either :)



On 20 November 2002 (10:06 AM),
J.D. said:

Done, Jeff.

And, Dana, I did look at the info you posted last time. It didn’t help!



On 20 November 2002 (10:40 AM),
Dana said:

Try here, then. The problem isn’t with your pictures, it’s with the machine displaying them…



On 20 November 2002 (10:42 AM),
Strongbad said:

The Cheat wanted me to tell you that your costume is really crappy. I mean, who are you supposed to be? You look like the freakin’ guy from the Woodwright’s Shop on PBS! A really awesome costume would have been one with a cool mask, and maybe some boxing gloves, and then…



On 26 November 2002 (10:40 AM),
mart said:

how f*cking cool are you JD?!?? strongbad reads yr blogs and comments too?!?! damn that’s cool. strongbad rules!

The Mummy Returns

In June, the gang went to see The Scorpion King. It was a good time: the movie was so bad that it was fun. I recently borrowed The Mummy and The Mummy Returns from Joel so that I could see the first two movies in the series.

The Mummy isn’t bad. It’s no work of art, but it doesn’t pretend to be. Despite some gaping plot holes, it’s a fun flick, the kind where one can just let go and enjoy the ride. It attempts to blend action and humor; for the most part, it succeeds. I watched it twice (once with the director’s commentary).

The sequel, on the other hand, is a festering pile of crap.

It’s the kind of movie in which the eight-year-old kid doesn’t act or speak like an eight-year-old kid, he acts and speaks like an adult. Conversely, the adult who is guarding him doesn’t act like an adult, he acts like a blooming idiot.

The Mummy Returns is the kind of movie in which two dozen bad guys with rifles cannot shoot the small boy from short range when he flees them. (Though you wish that the bad guys would nail the little bastard.)

It’s the kind of movie in which the laws of physics don’t apply. Not even the laws of physics the movie has previously established. The physical laws change on a whim, so one gives up trying to guess what is possible because everything is.

It’s the kind of movie in which mummies can not only outrun a bus, but they can also gain speed in the middle of a jump as they attempt to leap aboard.

It’s the kind of movie in which a man can run up a rising drawbridge and, while the bridge is at a thirty-degree angle, leap twenty feet across to the other side.

It’s the kind of movie in which a flimsy wooden scaffold can topple a massive stone column.

It’s the kind of movie that reuses gags from its predecessor bit-for-bit (wall of Y substance is summoned by bad buy to take out good guy’s flying vehicle; good guy topples X structures like dominoes; “I don’t know what this symbol is!”). Twice it even re-uses gags from earlier in the same movie!

It’s the kind of movie in which things happen simply because they make nice special effects.

It’s the kind of movie in which a drawn gun makes more noise than rattling chains. Swords raised in air, encountering no resistance, slink and chink like scissors.

It’s the kind of movie in which the hot-air balloon that’s been traveling at a snail’s pace for half-an-hour movie time suddenly can outfly a rushing wall of water when the plot calls for it.

It’s the kind of movie in which the editing is so poor that you give up trying to remember whether the good guy was holding his gun in his left hand or his right because you know it’ll just change hands again in a few seconds.

It’s the kind of movie in which the characters wear the same clothes for an entire week of movie time, through battle after battle, yet at the end of the film these clothes look like they’re fresh from the cleaners.

It’s the kind of movie in which the plot makes so little sense that you begin to wonder if it was tacked on as an afterthought, a clothesline on which to hang the action sequences. (It’s as if the writer and/or director (one man is both in this case) designed the set pieces first and then created a story around them.)

It’s the kind of movie that is so impressed with itself that it has slow-motion fight sequences. (I couldn’t help thinking that the movie would be that much shorter if there weren’t any slow-motion fight sequences.)

It’s the kind of movie in which the CGI bad guy at the end looks so fake that you laugh, though you’re sure that wasn’t the response the film’s creators intended. Stop-action animation would be more convincing.

It’s the kind of movie from which I can remember all of this without effort (despite my notoriously poor memory) because these are but few of the many problems.

It’s the kind of movie in which you give up trying to make sense of anything at all and just wish the damn thing would get over with — you glance at the DVD counter and think to yourself, “My God! Are there really forty-five minutes left in this?”

Some films, like The Scorpion King, are so bad that they’re fun. The Mummy Returns isn’t one of them. The Mummy Returns is so bad that it’s awful. It’s Attack of the Clones bad. It’s Devlin-Emmerich bad. And that’s damn bad.

Comments

On 08 November 2003 (05:17 AM),
dowingba said:

When I left the theater after seeing Attack of the Clones, I can only imagine it was with the same awe-struck wonder that people felt when they left the theater after first seeing the original Star Wars. I know, I know, “it’s not Star Wars.” I don’t know what makes a movie “Star Wars” or not, but the effects alone made it worth my while. And while Hayden’s acting was pretty over-the-top soap-opera-ish, I found it strangely chilling.

And Padme (I don’t care how people say it’s spelled, it’ll always be “Padme” (with an accent on the ‘e’ that I can’t make on this cursed laptop) to me) is just hot. And she miraculously hasn’t aged a day in that 10 year span between Episodes! She must be an elf, like on Lord of the Rings.

Speaking of Lord of the Rings. The Two Towers must have Tolkien rolling in his grave. The first time I saw it, while uncomfortably long (in the theater chairs), I thought it had potential. But when I saw it on video 6 months later, I absolutely loathed it.

Oh well, see you in the future.

(P.S. in 2003, the world will be reverted to a desert wasteland and 75% of humanity will perish. Good luck! Happy new year!)

Star Wars Generation

Lest my review of Attack of the Clones lead anyone to believe that I am anti-Star Wars, let me assure you that I am most certainly a member of the Star Wars Generation. My personal history is deeply intertwined with the Star Wars mythos. In the tradition of Wil Wheaton‘s “The Trade” and fray.com‘s “Star Wars Memories“, here are my recollections of being a part of the Star Wars Generation.


I was born on 25 March 1969. Star Wars was released on 25 May 1977. I was eight years, two months old.

My father took us to see Star Wars a few of weeks after it was released. The Sunday Oregonian had been running an ad for the film and the ad’s artwork was mesmerizing: a young man in a robe holding a torch over his head, a young woman wrapped around his waist, sleek airplanes flying through space, robots on a mountain, and behind it all some mysterious helmeted figure.

According to my brother Jeff, we were at my grandparents’ house when Mom and Dad came and told us that we were going to see Star Wars. Jeff remembers not being aware of Star Wars until�

We entered the theater late, after the opening fanfare, after the title scroll, after the opening battle sequence. When we sat down, a shiny gold robot was walking across the desert and a little round blue robot was being zapped by strange midget aliens in capes. I loved this movie from the start. It was like my favorite TV show, Star Trek (shown every Sunday at 4 p.m. in reruns on KPTV channel 12 the entire time I was growing up), only better, faster paced, with laser swords and creepy aliens.

As the summer of 1977 progressed we were able to see the movie several more times, with family and with friends. Sometimes the lines to see the film were huge. I’d never seen anyone line up for a movie before. Each time we saw the film we noticed something new, we memorized more of the dialogue.

A year after its release, we were still going to see Star Wars in the theater. How many films stay in theatrical release for a year now? The Fellowship of the Ring has been around almost six months, but that’s atypical.


At school Star Wars fever had gripped all of the boys. We bought Star Wars cards and Star Wars action figures and Star Wars comic books. We had Star Wars bed sheets and Star Wars underwear and every boy had the same Star Wars t-shirt, our heroes with blasters at the ready. We orderd Dynamite! magazine from the school book service because the cover featured the Star Wars gang. We marveled at the holographic Princess Leia (“Help me, Obi-Wan Kenobi, you’re my only hope!”). We were disgusted by the blue milk. We dreamed of light-sabers and X-Wings and Princess Leia. We acted our favorite scenes over and over and over again.

For three years, Star Wars cards were our prized possessions. We coveted them: the blue cards, the red cards, the green cards, the yellow cards, the orange cards. Each pack of cards ($0.15/pack) also contained a Star Wars sticker and stick of hard, pink bubble gum. We put these stickers all over everything. We chewed the gum with gusto.

Star Wars cards were used for currency at school. If I wanted a classmate’s toy or book or comic, I’d offer to trade him Star Wars cards. I remember coveting The Star Wars Storybook, a glossy paperback filled with a plot summary and stills from the film as well as information about the sources of George Lucas’ inspiration to make Star Wars. (Specifically, the book traced his inspiration to Saturday morning serials from forty years earlier, and to pulp science fiction — this was actually my introduction to the idea of pulp science fiction.)

We also played with the Star Wars action figures, which were sold everywhere. We bought many of our figures from the local Coast-to-Coast hardware store ($2.50/each). When Dad went in for vegetable seeds or nails or anything else, we stood entranced before the display of Greedos and Hammerheads and Walrus Men.

We conducted many spectacular battles on the harvest gold shag carpet in the living room of our trailer house. We developed clever games that required switching the capes on the various figures, swapping the lightsabers from one Jedi to another. As The Empire Strikes Back approached, we sent in for the Boba Fett figure. (I believe to this day that the primary reason for Boba Fett’s popularity is that his figure was the first one from Empire to be released — thousands of young boys saved proofs of purchase in order to send away for this figure.) (Here’s a link to a guy in Wisonsin who kept all of his action figures…)

When we didn’t have our Star Wars merchandise with us, we would improvise. When Mom or Dad drove us places we’d fight for the chance to sit in the front seat. We wanted access to the dashboard which would be transformed into the controls for our X-Wing fighter.

We’d flip the tuning knob on the radio: “This is Red Five, I’m going in.” We’d press the buttons to change the preset stations in order to fire our turbolasers. We’d open and close the vents to change the configuration of our wings. We’d scout for TIE Fighters in the mirrors.

Those confined to the back seat would sulk while the lucky bastard in the front seat single-handedly held off Darth Vader and his evil minions.

The Star Wars comic books ($0.35/each) were another source of adventure. The stories were imaginative and seemed like natural extensions of the film. The over-arching plot line related the Rebel Alliance’s quest for a new base. This search required our heroes to visit new, exotic locales: water worlds, giant space stations filled with gladiatorial arenas, industrial planets, etc. The humor and the adventure of the movie were always present.

Once we tried to dramatize the issues in which Luke and company encounter a civil war on the water world, Drexel. This was more difficult than we had anticipated (what we could have done with a modern PC!), so we abandoned the project after only half an issue.

My parents gave us the Star Wars soundtrack for Christmas. We listened to it constantly, all four sides. We loved every track from the opening title sequence to the cantina band to Princess Leia’s Theme to the End Celebration. We wore that vinyl out.

In the fall of 1978 my father purchased an Apple II computer. The machine came with two games on cassette tape: Star Wars and Star Trek. In the Star Wars game, two players using game paddles co-operated to target and destroy TIE Fighters. The toughest TIE Fighters to destroy were the curved-wing “Darth Vader” TIE Fighters. We loved this game.

When VCRs came to prominence in the late-70s and early-80s, the first film we watched on tape was Star Wars.


The Oregonian carried the Star Wars comic strip. The daily strips and the Sunday strips tracked separate stories, both of which were exciting. The strip eventually became Sunday-only and the stories took on a sort of Flash Gordon feel, especially the stylish art from Al Williamson.

In the summer of 1980 we went to a rummage sale at Eccles School in Canby. David Carlson and his brother Paul were there. Paul found a copy of Star Wars #35, an issue that I didn’t have yet. He went to ask his mother for money, and I promised to watch the comic for him, but while he was gone I bought it for myself.

The Star Wars comic book was the first periodical to which I ever subscribed. I saved my money until I could afford to go to the post office for a money order, which I mailed to New York. A few weeks later the first issue of my subscription arrived: Star Wars #39, the first part of the Empire Strikes Back adaptation. I was a subscriber for six years, until the title ceased publication.


The Empire Strikes Back was released when I was eleven. My family went opening weekend, stood in line, sat in a crowded theater. When Luke, sitting on his Tauntaun, lifted his goggles, the crowd cheered. We watched, amazed, at the Battle of Hoth, the attack of the Imperial Walkers. The chase through the asteroid field was like a ride on a roller coaster. The cloud city of Bespin, though clearly derived from the Star Trek episode “The Cloud Miners“, was beautiful to behold. Boba Fett captured our imagination. And — horrors! — Darth Vader revealed that he was Luke’s father!?!

The Brown twins, Sean and Cory, were lucky enough to receive The Empire Strikes Back game cartridge for their Atari 2600 one Christmas. What a fantastic game! Here were Imperial Walkers live on our television screens.

Though the Empire Strikes Back cards weren’t as cool as the original Star Wars cards, we collected them. We also bought the action figures, though these too had lost some of their charm. My Yoda figure was awesome, with its little fabric cloak and little plastic stick. I kept that thing through high school.


The week before Return of the Jedi was released, the fledgling USA Today revealed several important plot points. The most shocking revelation was that Luke and Leia were siblings. Blasphemy! It was also my first experience with a “spoiler”, advance information about a movie.

Later that week, in gym class, when I revealed that Luke and Leia were related, and that I knew this because I had read it in the newspaper, nobody beleived me. Except one little guy who taunted me and said I only knew this because I had already seen the movie.This caused me great offense. I hadn’t seen the film already, I told him, but had read about it in the paper. He told me I was a liar.

We were in the locker room, eighth-graders standing around in jockstraps, and this kid just kept pestering me. I threw him up against the lockers and told him to shut up, that I hadn’t seen the movie, and that if he didn’t leave me alone, I’d beat the crap out of him. It was the first and only time in my life that I ever threatened anyone. And it was because of Star Wars.

The Saturday that Jedi opened, Darren Misner’s mother drove us to the Westgate theater at 6 a.m. She sat in line with us for five hours, a saint of a woman if ever there was one. Darren and I were eager with anticipation. I had brought my father’s microcassette recorder. (My obsession with microcassette recorders started a long time ago.) One of the young men in line had brought a boom box (these were still novel in 1983); he played his Duran Duran tape repeatedly. We listened to “Is There Something I Should Know” a dozen times that moring.

The first half of the movie was thrilling, if contrived, but something happened midway through. Luke and Leia were in an exciting speeder chase through a dense forest and Leia fell off her vehicle. Miraculously she survived.

And then it happened: the turning point in the history of Star Wars.

As Leia came to, she encountered the Marketing Tool. Darren and I, only fourteen, were not impressed. And worse, the Marketing Tools (there turned out to be an entire village of Marketing Tools) somehow managed to defeat the mighty Imprerial Stormtroopers and their advanced weaponry. The Rebel Alliance had been crushed by these Imperials in the Battle of Hoth, but somehow a group of primitive teddy bear-like Marketing Tools were able to do what an organized rebellion could not.

There were other problems with the film, too (much of it felt contrived, strung together in order to get from Point A to Point B without any care for the logic of the actual path), but none compared to the presence of the Marketing Tools.


My enthusiasm for the Star Wars universe has never faded. Throughout high school and college, I watched the films regularly. (I’ll admit that near the end of my college career I sold my comic book collection for money, including all of my Star Wars comic books (of which I had multiple copies of most issues). Where were my priorities?!? I’ve spent the past several years piecing together a nearly complete run of the series again.)

During the nineties I read various Star Wars novels, most notably the almost-good series from Timothy Zahn. I continued to buy various Star Wars comic books, including the Dark Empire series from Dark Horse. I bought the only issue of “Star Wars Generation”, a quality fanzine.

When I purchased my new Apple Macintosh 640CD-DOS compatible personal computer in the fall of 1995, the first game I got for the machine was Star Wars: Dark Forces. I played it through three times. Soon after Dark Forces II: Jedi Knight was released, I bought a PC. (In no small part because of that game.) Dave and I spent one memorable Saturday at his office hacking each other apart with light sabers. More recently, I spent last month under the spell of Jedi Knight II: Jedi Outcast.

During the past five years I’ve pieced together a nearly-complete run of Marvel’s Star Wars comics (thanks largely to Excalibur Comics’ semi-regular 50% off sales). They’re great reading. (I look forward to the impending Dark Horse trade paperback collections with will gather these stories into more easily accessible volumes).


On 31 January 1997, Star Wars was re-realeased with fancy new effects and added scenes. Kris and I took time off work that day to see the show. We watched it twice. It was fantastic.

As Phantom Menace neared release, I downloaded both trailers and brought them to work. We watched them over and over, awestruck. This new movie was going to be better than all three of the previous Star Wars films combined! When Phantom Menace action figures began to trickle onto the market in March of 1999, Kris and I bought one for Paul Jolstead as a birthday present. Custom Box Service bought a bagful. We put together little Star Wars packages which Tony took around to our best customers. When the movie was released, we bought tickets for one of our clients.

Kris and I bought tickets for the 12:01 a.m. showing. We stood in a rowdy line at the Hilltop Theater in Oregon City, we cheered as the scroll crawled across the screen. Then we sat in a muddled mixture of terror and amazement as the story unfolded. The next day I took time off work to go see the movie twice more. I could barely sit through the third showing. This film worse than could have been imagined, worse than Jedi, far worse than the trailers had led us to believe. This was a black mark on the Star Wars universe. The ending was inconceivably bad. Sure, the pod race was fun and Ewan McGregor did a fine job, but the rest of the movie was a failure.

I thought Attack of the Clones had to be better, but the trailers revealed that this wasn’t likely to be the case. And then I saw the film…


Star Wars has been a defining force (heh heh) in my life for the past twenty-five years. It galls me to see it reduced to a mere shadow of what it once was.

Comments

On 21 May 2002 (05:17 AM),
Dagny said:

Well, JD – it galls me that you were responsible for such pain in Paul Carlson’s life. He probably needed therapy over that, you know.

On 21 May 2002 (05:29 AM),
Dagny said:

Oh yeah – I almost forgot. If you want to see vintage Star Wars wall paper, give Mike Groff a call and arrange a tour of his parents’ house. The upstairs bedroom that used to be Dave’s is still resplendent in heroes.

On 18 June 2005 (05:50 PM),
Rich Handley said:

The Star Wars strip never became Sunday-only. It ran seven days a week from the beginning to the end. It’s possible the paper you read them in only carried the strip on Sundays, but it ran every day of the week until the last week of the series.

Attack of the Clones

First impression: this film stinks.


Second impression: the core of a good film is in there somewhere.


Third impression: this film stinks.


I hadn’t planned to see Attack of the Clones so soon; however when Mac asked if we wanted to see the film last night after book group, I was happy to say yes. (We haven’t done much with Mac and Pam lately, and I miss that.)

Before the show started, the crowd was a bit rowdy. Certainly not as rowdy as the crowd had been at the midnight showing of The Phantom Menace, but a bit rowdy nonetheless. At the end of the show, the crowd was silent. Not a good sign.

The movie was dull at the start and remained dull nearly throughout. Kris’ succinct review highlights one of this film’s root problems: “It wasn’t engaging, there were no characters that were engaging.” (Her one-word review was also apt: “Lame.”)


Many reviews have stated that Clones is better than Menace. This isn’t really the case. It seems to me the two films are equally bad, just bad in different ways.

Here are some thoughts on specific aspects of the film, the positive first:

  • Hayden Christensen, as Anakin, isn’t as bad as I had feared. Some of his line readings are worthy of wincing, but mostly he does a passable job. The real problem is the script, not the acting. Star Wars has traditionally had some relatively wooden performances, but it’s difficult to overcome poor dialogue.
  • Amidala is great in the last half of the film (essentially the entire time she’s in her white outfit). I’m not saying this simply because the outfit is snug and form-fitting. No, her character is well-written at this point: decisive, resourceful, engaging. Unfortunately, her character is pretty dull during the first half of the film.
  • Kenobi as secret-agent-Jedi works well. Very well. This is the “core of a good film” to which I earlier alluded. His story is interwoven with the Anakin/Amdidala love story — a story with dialogue so painful as to inspire laughter from the audience — and it is this story alone that is compelling in the film. The rain-drenched ocean world of Kamino, with its tall and graceful cloners, with the mysterious Jango Fett and his son, Boba, is an intriguing place. The film would have been more satisfying if this had been its central focus. (Ewan McGregor does a fine job as Kenobi. He gives the film’s best performance.)
  • I liked most of the Anakin/Amidala story-line from the point they leave Tatooine until the point the Jedi arrive to save them in the gladitorial arena. For maybe twenty minutes, this plot thread is handled well, in the tradition of the earlier Star Wars movies. I didn’t care for the video-game-esque foundry sequence, but found the “execution” scene great fun. Well done.
  • Many of the visuals were stunning. Some of them were too flat and cartoony for my taste, but the animations of the ships and structures were fantastic, especially those on Coruscant. The art-deco styled buses and freightliners and buildings are a strange addition to the Star Wars universe (we’ve seen nothing before or since to suggest their presence), but I like them. When Amidala’s ship came sailing through the clouds to settle at the landing bay in the opening sequence of the film, I was awed.
  • I also liked two borrowed elements: the Jedi library on Coruscant (with its lack of information about Kamino) was eerily similar to a scene in Isaac Asimov’s Foundation and Empire in which our heroes are searching the University library on the planet Trantor, the former seat of the galactic empire, for information about a hidden planet. Also, the choral music near the end of the film is a straight lift from Ralph Vaughan Williams‘ Symphony #7 ‘Sinfonia Antarctica‘ (A beautiful, haunting piece of work. This performance by the London Symphony (conducted by Andre Previn) is superb, with Sir Ralph Richardson reading each movement’s introduction aloud.) Simply awesome stuff and well worth borrowing.

And some thoughts on the negatives:

  • Yes, Lucas reduced Jar-Jar’s role in this film. Severely. But that doesn’t matter becuase C3PO is the new Jar-Jar, but even less funny and more annoying.
  • As has been reported elsewhere, the dialogue in this film is bad, it’s not nearly as bad as the overall story, a story which makes no sense. Characters’ motivations seem completely arbitrary, as do their resultant actions. We never understand why any group is on this side or that side of the galactic struggle.
  • Why is Anakin so damn concerned with his mother now? Where has he been for the past ten years? Wouldn’t his first thought after the events The Phantom Menace have been to return to purchase her freedom from Watto? Why is he only concerned about her now? This plot point is ludicrous. And Shmi’s death scene is awful, too, producing scattered snickers throughout the theater. Anakin finds her tied to a beam. She looks weak. She moans, “Oh, is that my Ani? My how you’ve grown. Gugh.” And she dies. Terrible, terrible writing. Merely a plot device so that he can go berserk and taste the dark side.
  • Lucas has apparently come to the conclusion that more of anything, even a bad thing, makes that thing better. So we’re “treated” to incomprehensible battle scenes with thousands of combatants, yet we care about none of these people. Our heroes are off chasing the bad guys. Why do we need five minutes of animated battle scenes that give no service to the plot? The Battle of Hoth from The Empire Strikes Back was perfect: the audience understood that this was a battle on a grand scale with high-tech vehicles and weapons, yet we had characters we cared about. We understood the motivation of each side in the conflict. We could follow the action. There were dozens of things on screen at once instead of thousands. And I don’t care how fake the models looked, I prefer them to the animation in the newer films.
  • If R2D2 can fly, why haven’t we seen him do it before?
  • If Yoda can hop around like Kermit the Frog on meth, cutting a mighty path with his light-saber, why does he hobble around on that stinking stick?
  • Other than the Antarctic-inspired section, the music was generally dull. Worse, it was omnipresent. Not every scene needs to be scored, but every scene in this film has been. Ugh.
  • Many of the events in later episodes now don’t make much sense. For example, when Owen Lars buys C3PO and R2D2, why isn’t there a glimmer of recognition in any of the three parties? Whoops. That doesn’t really makes sense now, huh?


As we left the theater Pam wondered aloud if George Lucas had even watched the first three films before making the last two. He seems to have forgotten what Star Wars was about. Or perhaps changed his mind.

The original films were effective for a variety of reasons, but one of the key factors was the feeling that our heroes were but small players in a galactic conflict. Luke Skywalker was a lowly moisture-farmer from a backwater planet who inadvertently becomes entangled in events far greater than himself.

The various stories written after the first film retained this sense of “small fish in a big pond”. The novels, such as Alan Dean Foster’s Splinter of the Mind’s Eye, and the comic books (including the still-magnificent Marvel run of issues #11-38, soon to be reprinted in trade paperback by Dark Horse Comics) and the newspaper comic strips all managed to convey a sense of the grand sweep of the galactic civilization and the smallness of our heroes.

Now it has been revealed that our main characters are all part a small band of individuals that shape the course of this galactic civilization, that all of the events for forty years featured the intertwined fates of just a few individuals, or just one individual: Anakin/Darth Vader. The characters are revealed to be “big fish in a big pond”, and this causes them to become less iconic, to lose much of their appeal.

Further, the levels of co-incidence that Lucas is willing to introduce into these stories defies belief. Yes, the original films were fantastic, presenting alien civilizations, technological marvels, and epic battles. But through all of it, the audience was able to accept what they were seeing on the screen, believe that it might possibly exist. It had a sense of realness.

No more.

Now we’re simply overwhelmed with implausible co-incidences and battle scenes with thousands of combatants but no rhyme or reason. Characters act with no plausible motivation, simply to serve the needs of the plot, a plot strung together on the most tenuous of threads.


Am I disappointed?

Hell, yes. I had hoped that The Phantom Menace was an anomaly, but it appears instead to have been an omen.

Some people will read this review and think that I should lighten up because it’s only a movie, as if this somehow excuses it from the realm of quality. Action-adventure movies don’t need to be bad. In fact, we’ve been treated to two good Star Wars films in the past: A New Hope and The Empire Strikes Back. The recently released Spider-Man is an action film, too, but one that isn’t afraid to be smart and sensible and accessible (my review).

Other people will read this review and think that my expectations of the film influenced my opinion of it. This may be true to an extent, but it’s unlikely to have had much of an effect. I went into The Fellowship of the Ring with low expectations and, though I did not love the film, it surprised me with the quality of its production. I went into Spider-Man with very low expectations and was delighted to be proven wrong. Clones, however, met my lowest expectations and then sank beneath them.

It’s not the worst film I’ve ever seen, but it will probably be the worst film that I see this year.

The best part of the night was the trailer for Minority Report. Now that looks like a good science fiction movie…

Comments

On 18 May 2002 (12:40 PM),
tim said:

well put. i think i agree with 98% of what you said.

On 18 May 2002 (03:01 PM),
Jason said:

Whoa… scathing.

And considering Rotten Tomatoes tallies the score at 55%, I’ve come to the conclusion that the Star Wars legacy is doomed.

What a shame.

On 20 May 2002 (04:52 AM),
Dagny said:

As usual, JD, I agree with some of what you’ve said… the most disturbing element to me was Yoda. If he can avert disaster by heaving a multi-ton stone column with his mind, why in hell does he need to jack around with a light saber? He could have put Dooku down with a raised eyebrow. But that doesn’t make much of a fight scene… no, wait! It did in LOTR. Kinda gives Yoda a bum rap when he has to resort to physical weaponry.

Also ~ when the movie was done, Dane asked me “What do you think?”

I said, “I think that too many people have VCRs and don’t know how to behave themselves in public.”

Dane clarified. “No, about the movie.”

Dagny: “Well, it wasn’t torture. Except for the others in the theatre… they were torture.”

On 20 May 2002 (07:36 AM),
Kal said:

What do you guys usually do after ‘book group’?

On 20 May 2002 (09:21 AM),
Dave said:

Being fully advised by JD’s rant and other, similar expositions of the film’s merits (or lack thereof), I felt that I was fully prepared about what to expect from Attack of the Clones, but boy was I wrong.

First, the good parts:

Yes, I think Natalie Portman looked great in a backless gown.

Karen said that Mr. McGregor looked hot too, and why was Amadala looking at the stupid Anakin guy with Obi-wan around. (and I thought that Mr. McGregor’s acting was the best in the film, recognizing that this doesn’t say much).

The premise of the story was really quite clever.

Oh, and did I mention that I thought Natalie Portman looked really good in the skin tight white outfit? (Although I apparently missed the scene where she leaves the arena, puts it into the washer/dryer, shrinks the hell out of the middle section, puts it back on and returns to the arena. Not that I’m looking a gift bare midriff in the belly button.)

The special effects were usually quite good.

Seeing Yoda bouncing around like a muppet on meth was cool.

Well, ok. That’s about it for the good side. Karen wanted to know where George Lucas got the cigar store indian to play the main character and why he couldn’t have at least painted a convincing expression on him. I wanted to know why a whole bunch of Jedi are going to dump themselves into a hopeless battle when they could have just as easily done the vast majority of the destruction via airstrikes. And lets put on red shirts and fight a huge number of machines in an vast pit where there are no natural terrain features to take advantage of and where we’re going to be picked off like fish in a barrel.

The fact that Anakin can apparently float lends further credence to the supposition that he’s a witch and thus made out of wood.

Even Natalie Portman can’t look good in a stupid head handerchief.

I was praying that Count D. would just run Anakin through and save us all from having to see ST III. Ah, but no luck. Now he’s just got a dorky mechanical hand, OH MY GOD, JUST LIKE LUKE!!!! Isn’t the parallel remarkable?

By the time we were done watching the film, I was fairly convinced that the Jedi deserved to be wiped out because they’re stupid and incredibly short sighted. Just start from scratch and get it over with.

Anakin + Amadala = blech blech blech. “Oh we can’t, Yes, we can, No, we can’t, yes, we can! Ok, but only if you wear this stupid doylie on your head. OK” For crying out loud, just do it and get on with it! Every time they started the romance thing I had my head in my hands wondering how Karen was ever going to forgive me for dragging her into this load of crap. (I’m sure she’ll devise some suitable punishment. She did mention “chick flick” somewhere in her irritated diatribe.)

Watching the Anakin character go through his “personal agony” over everything in the universe was quite annoying. It really reminded me of a scene from BlackAdder III where Pitt the Younger is talking to BlackAdder about the feelings that he’s developing and the poem he’s written “Why do girls hate me”. Fortunately, that scene made no pretense about being anything other than a comedy.

And to answer JD’s question about Yoda, I’m sure that it’s for the same reason that Jedi take the stairs instead of simply force-jumping to the top.

Yes, death to C3PO and now we have an even bigger reason to hate Jar-Jar since he brought the emperor to power. Of course, since I’m now rooting for Palpatine and want him to kill the Jedi, especially Anakin, that’s ok, isn’t it…

On the whole, I have to agree with JD’s review as well. There is a good story (or two) in this film, but it is severely hampered by crappy dialog (yes, I know that the line you just spoke was spoken by someone in one of the first three movies, but does that mean that Lucas is attempting to be ironic or is he just running out of dialog and decided that the dialog in the first three was sooooo good that we’ll just recycle it?), wooden acting (I killed them all. Not just the men, boo hoo hoo … & such memorable scenes as “We should go after Obi-wan”, “No!!” “Why not”, “He is like a father to me” !?!?!?!???), and implausible individual circumstances (hmmmm, lets keep the audience interested by having Ms. Portman show her midriff. We’ll try to justify this as damage to her clothing from the nasty beast attacking her, which, when it tears clothing will in fact create a new seam and make sure that everything is even.) (Ok, that bit worked for me, but hey, I’m shallow, alright) & “I know you just got tossed out of a fast moving aircraft and you appear to be unconscious, laying there in the sun burning your belly button, but are you OK?” “Oh, well, I was unconscious, but Yes, I feel great now, thank you Mr. StormTrooper prototype, let’s go run across the sand until we can find another transport, take it to the place where the bad guys are at and try to kick some butt, ok?.”

Unless STIII involves Palpatine turning Amadala into his concubine, killing Anakin and basically looks like a remake of Caligula (set in space), I’m thinking that STIII is going to be a video only experience for me because I can’t continue to suffer like this. At least on video we can fast forward to the lightsaber duels and get the crap out of the way.

On 21 May 2002 (05:26 AM),
Dagny said:

Hi Dave. =)

Re: Karen’s “irritated diatribe”

Is there any other kind of diatribe?

On 21 May 2002 (04:15 PM),
Dave said:

Dagny-

Obviously you’re not married. Otherwise you’d know that there are a multiplicity of diatribes. There’s the irritated diatribe (I’m upset with something/one else), the annoyed diatribe (I’m upset with you), the hormonal diatribe (I’m upset with everyone/thing) and the righteous indignation diatribe (I’m really upset with myself, but I’m taking it out on you).

These are just the basic diatribes, each of which have various subcatagories and subclassifications. I’ve no doubt I’ll have the opportunity to expound upon those at some later point in time.

On 23 May 2002 (07:40 AM),
Paul said:

JD,
Why do you continue to consume the mass marketed pablum passed off as entertainment? Your expectations are high because you think. This is not a commie plot to overthrow the dominant paradigm. If you would cast your dollar votes for “good” movies and did not cast your dollar votes for films like Attack of the Snot Clones,then eventually the market produces “good” films to meet demand. Supple and Demand is not a commie plot nor anti-establishment. You don’t buy and read books marketed at the check out counters because you know they are shit. Is Spider Man a gem in the rough? Jim Jarmusch has produced thought provoking movies over the years that certainly are “mainstream”, but do not stoop to the lowest common denominator. For gods sake JD, stop going to “bad” films, you are killing yourself!!! (is that too melodramatic?)

Spider-Man

The mornings are still chill here in Oregon’s Willamette Valley, but the days are warm and the evenings pleasant. Everything’s gone green.

I drove to Hubbard yesterday afternoon and the green was all around. The grass is lush, the trees are gaudy with leaves. The Barlow area is a verdant sea. The beginning of May is a wonderful time to be alive.


I’m not generally a fan of big summer event movies; I prefer the small, thoughtful independent Oscar-worthy stuff that’s released at the end of the year. Mac stayed over last night, though, and he and I both had the same idea: go see Spider-Man.

Spider-Man is not a film to which I’ve been looking forward (despite the presence of Tobey Macguire, a fine actor). Superhero films usually disappoint me (the weak Unbreakable, the abysmal X-Men movie): they’re tedious and nonsensical. The only superhero films I can remember liking are Superman II and the first Batman movie. These films were based on DC heroes, though, and they’re not what I grew up enjoying. I was a fan of Marvel comics (though I didn’t often read Spider-Man).

I wasn’t looking forward to Spider-man, but thought it would be a fun Friday night diversion.

I’m pleased to report that it exceeded my expectations.

The one thing that sets Spider-Man apart from other films in the genre is its writing. The writing, by David Koepp (of Jurassic Park, Mission: Impossible, and Panic Room) is fantastic. It’s not academy award worthy but it indicates an adept hand. The dialogue is sharp (very witty at times) and the story makes sense (for the most part). The directing is good, too: the film’s pacing is flawless and the action sequences move well. No scene lingers too long, a sin most superhero movies commit at various points. There are a couple of scenes in which Peter Parker learns to use his powers, but they’re just enough to give us a feel for what he’s experiencing — they don’t go on and on and on. He slams into one wall and we get the idea that he’s a just a kid learning to cope with newfound powers. No season-long Greatest Amercian Hero bumbling here.

To be sure, there are elements of the film that don’t work for me. The Green Goblin is the Aquaman of super-villains. He’s lame lame lame. The movie doesn’t make him any less lame. In fact, his costume is just about the dumbest costume I’ve ever seen in a superhero film. What’s up with the rigid body suit and mask?

In all, Spider-Man is the best superhero film I’ve seen to date.


The latest issue of Entertainment Weekly has an article on the resurgence of superhero films, a genre that’s never been a mainstay of American cinema.

The success of the X-Men movie helped revive the flagging Marvel Comics empire, and spurred Marvel to begin production on a host of films based on its characters. Ang Lee (Sense and Sensibility, The Ice Storm and Crouching Tiger, Hidden Dragon) is making The Hulk (a film that would ordinarily leave me cold, but which I’ll see because of Lee). Ben Afleck is starring in an adaptation of Daredevil, one of my favorite superheroes. Another X-Men movie is in production, but I’ll skip that. Two Alan Moore properties are also on the drawing board: Watchmen is actually in production, and The League of Extra-Ordinary Gentelmen (with Sean Connery rumored to be interested) is in the formative stages. These movies, if done well, could be exciting.


It was difficult to rise this morning; we didn’t get to sleep until one o’clock last night.

Pam came over at 8 a.m. to join us for the annual Master Gardeners Show at the Clackamas County Fairgrounds (Mac went to his class room to do some work). The women and I braved the teeming masses, hunting for particular plants and making some impulse purchases. I bought five Thai basil plants, three Thai peppers, and a catnip. Kris, to apologize for her short temper earlier in the day, bought me a flower that I had admired, a daisy-ish white flower with purple central cone. I forgot to bring my new microcassette recorder, though, and regretted it; large crowds are a great opportunity to record conversations, a writer’s exercise.

When we returned home, Kris gave Pam the nickel garden tour. While they roamed the back yard, I lay on the grass, spread-eagled, eyes closed, and soaked in the sun. I listened to the birds (there are many of them now that May has come), to the little girl crying next door, to Kris and Pam talking about the plants. The sun was warm. A breeze rose and fell. I could smell the basil from my hands. Toto and Satchell came out to play, climbing on the raised beds, racing across the lawn.

Life is good.

Comments


On 05 May 2003 (01:24 PM),
Joelah said:

Hard to believe a year has past since this post. Some similarities include the Canby MGS, the continued abundance of super-heroes in our imaginative lives, and the presence of the sun. (Changes include photography, injury, and Kris’ employment-shakeup. And so we mark our lives.) For obsessive readers of this ‘blog who might go browsing back, I’d like you to know that J.D. did indeed go see the X-Men sequel, and that he felt it was improved in some aspects. Dividing his mind, as he so often does, into Critic and Consumer, he told me that as a comic book fan, X-2 was very good. As a cineast, it sucked hind tit.



On 14 May 2003 (07:22 PM),
Hans said:

hei i also liked spider man. but one should not expect so much from the x-men. because as we all know there isn’t always enough time to show the real story of the x-men. for one thing jean grey wasn’t suppose to change into phoenix the way that xmen2 has shown. movies doesn’t always follow the real story in the comics but the movie xmen 1 and 2 as itself is good enough just dont try to compare it with the comics. sucks ryt?



On 14 May 2003 (07:44 PM),
Azrael said:

xmen 2 n spiderman sucks!!!!! bwahahahaha joke only! well all i can say is that both x-men 1n2, are great. its just that the selection of xmen characters is a bit off. just 4 example: hugh jackman as wolverine, n nightcrawler. Y iz wolverine tall in that movie, n y iz it nightcrawlers eyes have circular yellow pupils? wolverine iz suppose 2 be small right; around 5’3, n nightcrawlers eyes suppose 2 be all white no pupils. but anyway d’ actors chosen 2 act as logan n bruce wagner is good enough, n hugh jackmans face is somewhat similar 2 logan. its just d height that i’m really bothered of about, n as of 2 nightcrawler d effects are superb.

while on d otherhand pyro really sucks!!!!!!!



On 14 May 2003 (07:45 PM),
Azrael said:

xmen 2 n spiderman sucks!!!!! bwahahahaha joke only! well all i can say is that both x-men 1n2, are great. its just that the selection of xmen characters is a bit off. just 4 example: hugh jackman as wolverine, n nightcrawler. Y iz wolverine tall in that movie, n y iz it nightcrawlers eyes have circular yellow pupils? wolverine iz suppose 2 be small right; around 5’3, n nightcrawlers eyes suppose 2 be all white no pupils. but anyway d’ actors chosen 2 act as logan n bruce wagner is good enough, n hugh jackmans face is somewhat similar 2 logan. its just d height that i’m really bothered of about, n as of 2 nightcrawler d effects are superb.

while on d otherhand pyro really sucks!!!!!!!

In the Bedroom

Kris and I went on another date tonight. We had a good time.

I met Kris downtown at her office and we walked a couple of blocks to Veritable Quandary, a venerable (but hip) upscale Portland restaurant.

Veritable Quandary is built of brick and hardwood and glass. The building feels old; it would not be out of place in Boston. The entry leads directly to a long, narrow bar, packed with people at 5 p.m. on a weeknight, sitting and standing in Oregon raingear but posh — these are lawyers and executives, an upscale clientele.

We didn’t have reservations but politely asked if we might get a table for two this early in the evening. The host was reluctant, but he accommodated us. His voice and actions made it clear that we were imposing, creating difficulties with his scheduling, but he let us in nonetheless.

The service was excellent. The staff was attentive. Our table was kept clean, our water glasses filled. Kris’ coffee was always hot. We were never kept waiting between courses.

The menu was somewhat intimidating (I’m not sure why), but we were both pleased with our selections. To start, Kris had a salad of wild greens with toasted leeks and cave-aged (!) gruyere cheese with which she was well-pleased. My appetizer was unusual: grilled Black Angus beef on a skewer with a Peruvian (!) marinade of red wine vinegar. What made the marinade Peruvian? The beef had only a subtle, mild flavoring. It was served with potato slices and a hard-boiled egg (!) and a sort of mustard sauce. The combination was unusual, but good.

For the main course, Kris selected the wild-mushroom raviolis with crisp duck confit. She liked it (I wouldn’t try it due to the mushrooms), but it cannot have been as good as my meal, which was fantastic. I opted for Oregon venison served with mashed potatoes and roasted onions. Outstanding! Perhaps all venison is this good, though I suspect that’s unlikely. The meat was smooth and flavorful, encrusted with pepper and seasonings. The potatoes were unique: creamy but firm, a perfect compliment to the venison. The onions and some wild greens provided additional flavor.

Though we were both stuffed, we decided to try our luck at dessert. We’re glad we did. Kris had a Tiramasu with an espresso filling. I selected lemon curd ice cream served with a selection of cakes and cookies. Both desserts were delicious. The lemon curd ice cream was thick, thicker and richer than any ice cream I’ve had before. The cookies, most of them chocolate, were passable but a perfect compliment to the ice cream.

Last July, Andrew and I went to the Veritable Quandary for brunch one Sunday. We were unimpressed. The service was poor — we were the only customers in the restaurant at 2 p.m. on a Sunday — and the food vastly over-priced. Our experience last night began poorly and I was prepared to hate the place. After such an exquisite meal, however, my opinion has altered for the favorable.


After dinner, Kris and I completed our quest to see every Oscar nominee for Best Picture. In the Bedroom is a nearly-perfect film, one of the best films I have ever seen. (Note that I do not say that it is one of my favorite films; I say that it’s one of the best films I’ve seen.)

There is little that I can say that Roger Ebert has not already said in his review:

IN THE BEDROOM
**** (R)

December 25, 2001

Matt Fowler: Tom Wilkinson
Ruth Fowler: Sissy Spacek
Frank Fowler: Nick Stahl
Strout: William Mapother
Natalie: Marisa Tomei
Miramax presents a film directed by Todd Field. Written by Robert Fetsinger and Field, based on a short story by Andre Dubus. Running time: 130 minutes. Rated R (for some violence and language).

BY ROGER EBERT

Todd Field’s “In the Bedroom” only slowly reveals its real subject in a story that has a shocking reversal at the end of the first act, and then looks more deeply than we could have guessed into the lives of its characters. At first, it seems to be about a summer romance. At the end, it’s about revenge–not just to atone for a wound, but to prove a point. The film involves love and violence, and even some thriller elements, but it is not about those things. It is about two people so trapped in opposition that one of them must break.

The story opens in sunshine and romance. Frank Fowler (Nick Stahl) is in love with Natalie Strout (Marisa Tomei). He’ll be a new graduate student in the autumn. She is in her 30s, has two children, is estranged from Richard (William Mapother), who is a rich kid and an abusive husband. Frank’s parents are worried. “This is not some sweetie from Vassar you can visit on holidays,” his mother tells him. “You’re not in this alone.”

“We’re not serious, Mom,” Frank says. “It’s a summer thing.”

“I see,” says his mother. She sees clearly that Frank really does love Natalie–and she also sees that Frank’s father may be vicariously enjoying the relationship, proud that his son has conquered an attractive older woman.

Ruth Fowler (Sissy Spacek) is a choral director at the local high school. Her husband, Matt (Tom Wilkinson), is the local doctor in their Maine village. On the local social scale, they are a step above the separated Natalie and her husband, whose money comes from the local fish business. Is Ruth a snob? She wouldn’t think so. The Fowlers pride themselves on being intelligent, open-minded, able to talk about things with their son (who does not want to talk about anything with them). We sense that their household accommodates enormous silences, that the parents and their son have each retreated to a personal corner to nurse wounds.

Then something happens. A review should not tell you what it is. It changes our expectations for the story, which turns out to be about matters more deeply embedded in the heart than we could have imagined. The film unfolds its true story, which is about the marriage of Matt and Ruth–about how hurt and sadness turn to anger and blame. There are scenes as true as movies can make them, and even when the story develops thriller elements, they are redeemed, because the movie isn’t about what happens, but about why.

“In the Bedroom” is the first film directed by Todd Field, an actor (“Eyes Wide Shut,” “The Haunting”), and is one of the best-directed films this year. It’s based on a story by the late Andre Dubus, the Massachusetts-based writer who died in 1999, and who worked with Field on the adaptation before his death. It works with indirection; the events on the screen are markers for secret events in the hearts of the characters, and the deepest insight is revealed, in a way, only in the last shot.

Every performance has perfect tone: Nick Stahl as the man who is half in love with a woman and half in love with being in love; Marisa Tomei, who is wiser than her young lover, and protective toward him, because she understands better than he does the problems they face; William Mapother as the abusive husband, never more frightening than when he tries to be conciliatory and apologetic; William Wise and Celia Weston as the Grinnels, the Fowlers’ best friends.

And Sissy Spacek and Tom Wilkinson. They know exactly what they’re doing, they understand their characters down to the ground, they are masters of the hidden struggle beneath the surface. Spacek plays a reasonable and civil wife and mother who has painful issues of her own; there is a scene where she slaps someone, and it is the most violent and shocking moment in a violent film. Wilkinson lives through his son more than he admits, and there is a scene where he surprises Frank and Natalie alone together, and finds a kind of quiet relish in their embarrassment. When Matt and Ruth lash out at each other, when the harsh accusations are said aloud, we are shocked but not surprised; these hard notes were undertones in their civilized behavior toward each other. Not all marriages can survive hard times.

Most movies are about plot, and chug from one stop to the next. Stephen King, whose book, On Writing, contains a lot of good sense, argues for situation over plot; he suggests that if you do a good job of visualizing your characters, it is best to put them into a situation and see what happens, instead of chaining them to a plot structure. Todd Field and Andre Dubus use the elements of plot, but only on the surface, and the movie’s title refers not to sex but to the secrets, spoken, unspoken and dreamed, that are shared at night when two people close the door after themselves.

If you like fine film drama, you owe it to yourself to see this movie.


According to the Weather Channel (and every other weather source I can find), we’re likely to have a white St. Patrick’s day. Bizarre.

Special weather statement
National Weather Service Portland or
950 PM PST Thu Mar 14 2002

…An unseasonably cold storm system still expected to produce very low snow Levels Friday night into the weekend…

A very cold storm system is still expected to organize near Vancouver Island on Friday then Drop South into the area Friday night into the weekend. Snow Levels will initially fall to 1000 feet by Friday afternoon…Then down to 500 feet late Friday night through Saturday. This should still allow snow to mix with rain in the lower valleys with mostly snow above 500 feet where some accumulation is possible. It still remains possible that mixed precipitation in the lower valleys could Turn to all snow for a time…Especially Saturday morning producing light sticking snow. Thunderstorms are also possible Saturday as the atmosphere will be very unstable.

The latest recorded snowfall at the Portland international airport stands at nearly 1 inch on the 10th of March 1951. Any accumulation would set a new record for the latest snowfall at the airport.

Comments


On 14 March 2005 (08:07 PM),
J.D. said:

Three years later, I have to say: this is strong praise for a film I barely remember.

Lord of the Thing

Y’know, I just can’t get a handle on this whole Lord of the Rings movie thing.

When I first heard about the project, I was skeptical that it could ever be pulled off. The first news and images from the production only served to confirm my fears. Then, when the teaser trailer was released and more production information began to filter onto the internet, I actually found myself excited to see the movies.

Now, though, with the pictures and information that Ain’t It Cool News has been providing the last few days, I’m becoming even more skeptical than I was before. Lurtz? Lurtz? Who the hell is Lurtz?

Peter Jackson, in whom I had tremendous faith, is beginning to worry me. This is just going to be some convoluted cheap-ass production with stuff changed around and mangled and added in order to play to that portion of the audience which is unfamiliar with the book. It’s going to be crap.

Harry Potter, on the other hand, looks fantastic.

(On a side note: Why the hell can’t Ain’t It Cool News do something about its layou? It is easily the ugliest major site on the web (well, of those that I view regularly, anyhow). It has the poorest code, the sloppiest layout — it’s just all-around painful to look at.)


Dane writes that:

  1. “Lurtz is the name of the orc in Saruman’s service who is responsible for actually killing Boromir at Amon-hen (http://www.theonering.net)”, and
  2. “I’ve never understood the need to criticize a creative work when it’s not done yet. In under a year you will be able to see the final product. Second guessing the changes Jackson is going to make aren’t really fair without taking the whole final product into account.”

To which I can reply that I both do and do not see his point.

On the one hand, it is silly to judge a creative work before it is finished. Take Star Wars: The Phantom Menace, for example. How many people, like me, were completely blown away by the first trailer? The second trailer wasn’t quite as good, but still promised an amazing film. Based on that, and other information I had gleaned, I was expecting an outstanding movie. Instead I got something on par with Return of the Jedi. Sure it had some fun scenes (opening scene, underwater city, pod race, senate meeting, light saber battle), but these were outnumbered by the lame-ass (lame-ass being a technical term, of course) things in the movie (Jar-Jar, Jedi council, Jar-Jar, midichlorians, Jar-Jar, space battles, Jar-Jar, Coruscant exterior shots, Jar-Jar, C3PO, Jar-Jar, plot points that made no sense, Jar-Jar, and Jar-Jar for example).

On the other hand, is judging an unfinished creative work any different than judging it based on incomplete information? Is my premonition that the Lord of the Rings movie isn’t going to be very good any different than my premonition that the movie Joe Dirt isn’t going to be very good? No. They are the same thing. I’m basing these premonitions on the information I have available and my past experience. And what do you know? — these are generally a good guide. I don’t need to see any more to know that Lurtz is going to be Beastmaster-esque. And deep down Dane knows I’m right.